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Iolanthe's Quotable Viggo


Found By: Iolanthe

On November 10th Viggo will be given the Alexander Garrett Award for Service to Beyond Baroque, celebrating his long association with this literary and arts centre, which was established in 1968. Not only does Viggo have a long history of live poetry readings -– his own and other poets’ work - and exhibitions there (One Man’s Meat in 1999), but he has given unstinting support when needed. I loved director Richard Modiano’s comment that, to him, Viggo is ‘a poet foremost’. I think it’s a great way to sum up Viggo’s artistic output because poetry doesn’t just have to be about words. His acting, his art, his music, his photography all has the poetic about it – a sensitive narrative of life gracefully and sensitively interpreted.




“Many funding sources had dried up and I reached out to Viggo for help — which came immediately. To me Viggo is a poet foremost — I know his work from the days of Cafe Iguana and the Onyx Cafe; and of course he polished his poetry chops in the Wednesday Night Poetry Workshops."

Beyond Baroque director Richard Modiano
The Book of Viggo
By Shana Nys Dambrot
LA Weekly
1 November 2018




Most of you out there are more than likely familiar with Viggo the actor, star of films like The Indian Runner, Crimson Tide, G.I. Jane, The Reflecting Skin, and Carlito's Way among others... but we here in Bumville know him as poet and angel. Viggo has been very actively involved in the reclamation of Beyond Baroque Literary Arts Center in Venice, Ca. for a few years now and has been an active voice on the L.A. poetry scene as well. When The Carma Bums kicked off their Twisted Tour of Words in '96 at Luna Park in West L.A., Viggo came to see the show and wish us all bon voyage and ultimately helped us with artistic assist of our video/film The Luxurious Tigers Of Obnoxious Agreement.

For The Carma Bums
Carma Bums
1997




'A lot of people that were here tonight said something about their writing, but were too embarrassed by it. And I'd ask them about what they write and encourage them to pursue it. People sometimes seem to feel that poetry is just this little thing you do privately, like your diary. But in reality it's something that you can work at in many ways, that you can share, that you can take as far as you like.'

Viggo Mortensen at the Midnight Special reading
A Religious Moment Where Something Might Happen
by Scott Thill
Morphizm 2002




The author of two published books of poetry, Mortensen crafts spare, fine-tuned verses that end with the sharp report of a metaphor hitting its target. Most paint a languid picture of West Coast suburban life a milieu of cars, swimming pools and lovers' conversations; some ruminate on the life of the movie actor with surprising acuity.

The Man Who Would Be King
by Nick Dent
Black & White Magazine
2001




‘A teacher gave me the taste for poetry. I like the discipline it imposes, I like the reign of precision and the perfect word.’

Viggo Mortensen: "Travelling is the best anti-war weapon"
By Yetty Hagendorf - translated by Donna Marie
Le Soir (Belgium)
2 February 2015




‘To write a good poem requires discipline, discretion and precision.’

Viggo Mortensen: "You must live your contradictions”
by Olivier Cariguel
Le Magazine Litteraire
March 2015




"For me, it's like taking apart an engine. You take all the pieces, you put them on a table and when you finish putting it together, you leave some of them aside.”

Viggo on writing poetry
"Writing and acting are like being a kid again"
By Eduardo Bejuk
Gente Magazine – translated by Zooey
September 2009




"For me, music and poetry together mean something. When I feel something, I write. When I write, I think of a melody,"…

..he reads poems by Fabián Casas, like, for instance, "Sin llaves y a oscuras" [Without Keys and in the Dark], one by Bosnian poet Izet Sarajilic, or "Elogi de la discreció "[In Praise of Discretion], by Catalan poet Anna Rossell. With this last poem, the audience surrenders completely to the actor and applauds with great enthusiasm.

Romea Theatre poetry reading with pianist Rafel Plana
Viggo Mortensen Seduces at the Romea
By Griselda Oliver - translated by Ollie
Núvol
26 February 2015




…in my performance [at the Romea Theatre] I read recent poems or some that I wrote years ago. Every time I read them, they come out in a different way. But I always remember where and how the poem in question came to be.

"Poetry is an art that will never disappear."
By Lluis Arcalis and Teresa Marquez translated by Ollie and Zoe
El Punt Avui
1 March 2016




'He kept a lot of his poetry inside his refrigerator,' says Cervenkova, 'which endeared him to me forever.'

Exene Cervenkova
Viggo Mortensen
by Steve Pond
US Magazine #236, 1997




To Viggo, poetry is a way to leave reality behind in order to reach another, purer reality, away from those commonplace moments and the difficult situations for which there's no apparent relief. Poetry, to him, is a way to put the world into perspective.

About Them... "I like a brave woman"
By Salvador Llopart - translated by Ollie, Rio and Zooey
La Vanguardia
14 March 2010




His poetry and prose are taut and gripping - the outpourings of a genuine talent, not a bored dilettante.

Understated A-lister Viggo Mortensen tells our reporter about his new cult hit 'Captain Fantastic' - and why it's impossible to be the perfect parent
by Ed Power
Irish Independent
31 August 2016




'I don't have to wait on other people as to whether I'm allowed to work, and it's up to me if I want to ruin it in the editing.'

Viggo Mortensen on writing poetry
Viggo Mortensen
by Steve Pond
US Magazine #236, 1997




“Poetry is an art that will never disappear; it will always exist.”

Poetry is an art that will never disappear
By Lluis Arcalis and Teresa Marquez translated by Ollie and Zoe
El Punt Avui
1 March 2016



You will find all previous Quotables here.

© Viggo-Works/Iolanthe. Images © HB Carlos.

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Iolanthe's Quotable Viggo


Found By: Iolanthe
Categories: Media Quotable Viggo

I loved the comment from Thessaly La Force of the New York Times that Viggo was able to ‘transmit a feeling of soul’ in his films. This is the nub of it, isn’t it? The reason he is so compelling on screen. A deeply aware and soulful man, he is able to bring all of that to bear on every role he plays. You can look into his character’s eyes and the depths are always there, no matter who he is playing because he brings himself completely into the part. Yet somehow, he can transmute that into someone entirely other. It’s kinda magic.





He is, in such a superficial medium, able to transmit the feeling of a soul.

Viggo Mortensen, the Unlikely Leading Man
New York Times
By Thessaly La Force
15 October 2018




...while he’s clearly driven by a need to express himself via many outlets, he still exudes a sense of some private, fundamentally unknowable core self. It permeates his screen presence, too, and is part of what makes him so intriguing as an actor.

Viggo Mortensen: Still here, still fantastic
The Film Experience
By Nathaniel Rogers
24 April 2016




Mortensen can get into his characters’ skins, but also their souls, and he knows how to project a character’s inner life onto the screen.

Jeffrey Westhoff
Northwest Herald
24 November 2009




Few actors can do stillness on screen with as much conviction as Viggo Mortensen. That chiselled face, turned towards a landscape or held in concentration as someone else speaks, can stand in for any amount of narrative exposition: look at any of Mortensen's characters and you know, without having to be told about it, that man's had a hell of a past.

Far From Men: Viggo Mortensen saddles up in Albert Camus' short story
by Stephanie Bunbury
Sydney Morning Herald
23 July 2015




“He’s very sweet and soulful and thoughtful, but in terms of working with him as an actor, I’ve never seen anyone so three-dimensionally aware or involved with a production.”

Interview: George MacKay
The Scotsman
7 July 2018




Mortensen is such a delicately sentient actor that nothing he does reads as pure caricature. When Ben realizes that in trying to prepare his children for everything he may have prepared them for nothing, it’s as if we can see right into his crushed soul. It’s also the moment he becomes most human: at some point, all kids have to learn that parents are people too.

Stephanie Zacharek: Captain Fantastic
Time
4 July 2016




Viggo steals the picture. His always fresh and relaxed expressions, with dark subtexts dancing just below the surface, never cease to astound me.

Rex Reed - Appaloosa
The New York Observer
17 September 2008




Mortensen – an intriguing man, serene and philosophical – spoke during our interview with such tender sincerity about the two characters and their unremitting and inexpressibly vital bond that it seems clear that he has invested a large but vulnerable part of his soul into his performance. I don’t care that this sounds indulgent because there is something about this film, this novel, something so pure, so intrinsically human that forces one to shove aside smart-arsed scepticism and just marvel – humbled – at so crucial and compelling a message.

Dan Hollis – The Road
PureMovies.co.uk
May 2010




It’s a testament to Hillcoat’s obvious belief in the strength of unadorned screen acting that he, like McCarthy before him, refuses even to explain the global cataclysm that has brought his protagonists to this state. Instead he asks us to read it, mostly, in the depths of Mortensen’s wide, pellucid eyes… his eyes are filled with the kind of tremulous compassion that can carry the emotional weight of an entire movie.

Kevin Maher
The Times Online
8 January 2010




Mortensen's power comes directly from his eyes. They speak much more than any line he delivers in the film and offer an astounding glimpse into the psyche of his character.

Christopher Childs – A History of Violence
Twitchfilm.net
May 31, 2005




The beating pulse of the movie comes from Bello and Mortensen, both of whom are award worthy. Viggo might have had a haircut since his middle-earth days, but he's lost none of his power. Look into his eyes, you'll see his soul.

Paul Greenwood – A History of Violence
Future Movies
29 September 2005




As with History of Violence, [Cronenberg] elicits another tour-de-force performance by Mortensen, who completely envelops his Russian low-level mobster, Nikolai. A lot is going on in this remarkable actor’s body and soul, resulting in one of the year’s most stunning performance.

Paul Fisher – Eastern Promises
Moviehole
9 Sept 2007




...Mortensen plays this role as if he had different blood chemistry than the rest of us. Nikolai remains eerily still until he's moved to act; then he glides forth with reptilian grace. Yet something still glows at the bottom of those half-lidded eyes - enough to suggest the cobra has a soul.

Ty Burr – Eastern Promises
Boston Globe
14 Sept 2007




"Viggo has the perfect qualities as a man and as an actor to do this part. He’s got incredible depth of soul.”

Nick Wechsler – The Road
Interview with Viggo Mortensen, Oscar Contender
Emmanuellevy.com
3 September 2009



You will find all previous Quotables here.

© Viggo-Works/Iolanthe. Images © Javier Aquirresarobe/Dimension Films/2929 Productions.

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Iolanthe's Quotable Viggo


Found By: Iolanthe

This week I thought we’d take a look back to On The Road and Viggo’s memorable cameo as Old Bull Lee, based on writer William Burroughs. Although a small part, Viggo brought all his usual thorough research to the role, channeling Burroughs crazy energy and ‘sepulchral growl’, much to the delight of the film critics.





Viggo Back "On The Road," But With an Upgrade on the Shopping Cart.

Headline announcing Viggo’s participation in ‘On the Road’
Bryan Alexander
NBCWashington.com
5 August 2010




Mortensen’s performance has the genuine, and ferocious, frisson of inhabitation that the biopic demands: alternately gun-crazy, butt naked and sharply observant.

Sophie Mayer
BFI
12 October 2012




When Walter Salles offered me the role of Old Bull Lee, I was finishing shooting A Dangerous Method with David Cronenberg, and I told him, "I don't think I can prepare myself for the role in time." But I had also gained weight for the other film and Walter told me, "I think you can. It's one version; you can look any way you want. I want you in the film for your ideas and for the way you approach your work." And I'm glad I did it.

Viggo Mortensen: "I think I've learned from my mistakes"
By Gloria Scola - translated by Ollie, Rio and Zoe
Tiempo
30 April 2013




“Burroughs was admired by other writers for his unique learning, knowledge of drugs and anarchist thinking. I remain fascinated by his sensitivity and the new forms of syntax and grammar that he experimented with. To get closer to the character, I studied the way he pronounced certain words, the rhythm, the voice affected by drugs and age."

Viggo Mortensen: "Do I look sexy?"
By Simona Coppa - translated by Ollie
Grazia
9 October 2012




In a brilliant cameo, Mortensen gets Burroughs's flat, wry voice exactly right as he denounces Moriarty as psychotic, exposes how the English translation of Voyage au bout de la nuit bowdlerises Céline's original, and hilariously demonstrates his version of Wilhelm Reich's ludicrous, once fashionable orgone boxes for the control of psychic energy.

Philip French
The Observer
14 October 2012




What did you think of the Beat Generation before the film? Had you already read the book?

"Yes, in the '70s, when I was 17-18 years old and living in America, on the border with Canada. On the Road was an initiation book for many adolescents of my generation, even for me.

Viggo Mortensen: "Do I look sexy?"
By Simona Coppa - translated by Ollie
Grazia
9 October 2012




“Salles could have made the classic iconographic film, a harmless postcard. Instead, he chose to represent even the darkest side of the journey, the drugs, car racing at full speed, the smoking, the sleepless nights. The director brings to the screen the desire to break the mold and the rules, to go beyond the limit that has inspired generations of young rebels, but also highlights the painful consequences."

Viggo Mortensen: "Do I look sexy?"
By Simona Coppa - translated by Ollie
Grazia
9 October 2012




For many people, this novel was deemed unfit for filming. Did you ever have similar qualms?

I never thought this novel unfit for filming, yet it was obviously no easy task. But after reading the script, my concerns were easily resolved. The movie takes over the novel's best elements, stays true to the characters and besides focuses on the women, which for me is a true improvement compared to the original.

"Nostalgia strikes me as being dangerous"
By Dieter Oßwald - translated by Athelin
Frankfurter Neue Presse
1 October 2012




Viggo Mortensen, priceless in Old Bull Lee / William Burroughs, highly intelligent and completely smoky.

Norbert Creutz
Le Temps
26 May 2012




It was such a crazy experience. There were things that were not in the script and you were asked to do on the day, like improvising with Viggo Mortensen, which is quite crazy. He’s a very cerebral man. He turned up with these beautiful old antique books from the time, like Baudelaire, and things that his character would have had. He had a bag of goodies that he brought with him and a hat, a tie and a shoulder holster. I thought, ‘this guy is f**king cool.’ I was quite intimidated.

Sam Riley
Sullivan on Cinema: Sam Riley
By Chris Sullivan
Redbull.com
9 June 2011




…I would love to see a whole movie about Old Bull Lee, played by Viggo Mortensen….

Drew McWeeny
HitFix
23 May 2012




"I re-read the book for the film and became aware of how very relevant it is for today's world. Today too you can sense a sort of rejection of the economic crisis and the authorities on the part of young people. It was thus a very opportune moment to release the film."

Viggo Mortensen, Cannes Press Conference
23 May 2012




"The movie is disturbing at times. It's very pretty, and the more you get into it and let it carry you away, the more you enjoy it. When I saw it, I was just caught up in it. I let it carry me away as if it were a song."

Viggo Mortensen: "I think I've learned from my mistakes"
By Gloria Scola - translated by Ollie, Rio and Zoe
Tiempo
30 April 2013




You will find all previous Quotables here.

© Viggo-Works/Iolanthe. Images © MK2 Productions.

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Iolanthe's Quotable Viggo


Found By: Iolanthe
Categories: Media Quotable Viggo

This week we have a musical quotable. Not only because I’ve been singing all week so music has been very much on my mind, but also because I keep thinking how nice it is that Green Book features some lovely piano playing and the fact that Viggo has a new music CD hopefully coming out sometime soon, Godzilla Sleeps Alone. So what rocks Viggo’s musical boat?





Viggo Mortensen talks so eloquently about the joys of getting lost that 10 minutes into the interview I'm lost as well. The actor likes cutting loose and roaming free: partly for research but also for his own enjoyment. Maybe he'll browse around some out-of-the-way bookshop, or drop in at some museum, or visit some old-time record shop and listen to the music from times gone by. Try as I might I can't drag him back on track.

"What music does your dad listen to?" he asks.

My dad? My dad likes jazz, I tell him. Old jazz, trad jazz; 30s and 40s stuff.

"Chet Baker?" says Mortensen.

Er, that's probably too late for him, I say, with a nervous eye on the clock. Now, about your new film ....

"Coltrane?" says Mortensen.

The Happy Trails Of Viggo Mortensen
By Xan Brooks
The Guardian
17 April 2009




Didn't you live in South America for about nine years as a kid?

Yeah, I was 11 when we moved back to the States. I couldn't believe the swear words, the slang, the music - all the kids were into Blue Oyster Cult and Grand Funk Railroad. I was a closet Carpenters fan. I'd sing 'Top of the World' to myself on the way to school, but when I got close to campus I'd shut up.

The Hot New 39-Year-Old
By Dennis Hensley
Movieline magazine, 1998




"I still keep a collection of old tango songs and I listen to them all the time. I also listen to some other Argentine singers of the moment."

Viggo Mortensen Goes Back To His Roots For 'Everybody Has A Plan'
Static
19 April 2013




"...I like to sing tangos every now and then, in private... I don't want to bother other people; I bother them enough with my movies."

Viggo talking about his Argentinian Childhood on Radio Cooperativa, Chile
By - transcribed/translated by Graciela
Radio Cooperativa
27 March 2007




"I love this Argentine song from the 1930s called Envidia by Ada Falcon. It's very special."

Viggo Mortensen Goes Back To His Roots For 'Everybody Has A Plan'
Static
19 April 2013




‘...music is when we all would get together [during Captain Fantastic]. That was at least once a day we'd get together, all of us. We really were jamming and laughing and talking. We'd have something to eat. Okay, let's go! And then we'd start playing. The feeling there was, There's no such thing as making a mistake. We're just playing together. We got better and better and more comfortable with each other...I thought the music was important as an initial bonding thing.’

Viggo Mortensen
'Captain Fantastic': Matt Ross, Viggo Mortensen and the perils of off-the-grid fatherhood
by Michelle Lanz
The Frame
7 July 2016




And in music, what are your essentials?

I don't know if I have essentials; the selection depends on the moment. This morning I've been listening to Ray Barretto, The Ramones, Andrés Calamaro and Janis Joplin.

Viggo Mortensen: "If I'm lost, it's because that's how I want it."
By Juan Luis Álvarez - translated by Ollie, Rio and Zoe
La Vanguardia
9 September 2012




What kind of music do you enjoy while you are reading?

It depends what I'm reading, where, and when--and what music is on hand. No music is good sometimes, too. At moment I am listening to selected opera arias sung by Mark Reisen, the great bass voice of Russia, recorded in the late 1940s and early 1950s. Before that I was listening to Buckethead's Colma.

ForeWord Magazine.
31 October 200
7



"There's a YouTube footage where we were singing outside the Belvedere [in Austria]. We used to sing a lot. That's something I do a lot of, anyway. It's like somebody will say a phrase and I'll sing the rest of the line. It's like a way to be relaxed."

What songs did he and Viggo sing? "Anything really," said Michael, "like 'Young Girl'" (by Gary Puckett & The Union Gap). He was told that the song's refrain, "Young girl, get out of my mind," was a fitting one for his characters in both "Shame" and "A Dangerous..."

"I remember Viggo and I came bursting into the makeup room and singing. Keira (Knightley) was getting her hair done. We made her and the makeup artist jump out of their skin," said Michael.

Michael Fassbender
No 'Shame' in Michael Fassbender's sex-addict role
By: Ruben V. Nepales
The Inquirer
5 January 2012




"Should I stay or should I go?", is what the famous song from the The Clash's "Combat Rock" album asks. Below I put a link to the song, in case Caruso Lombardi or any other people working for CASLA feel plagued by existential doubts before the key match against Tigre (or the two other very important matches we have left in this tournament) and they need to psych themselves. I recommend listening to the song at an excessive volume, maybe together with some mate with gin to stand the cold of the fall´s early morning."

Viggo Mortensen
"Should I stay or should I go?"
By Viggo Mortensen - translated by Ollie and Zoe
Club Atlético San Lorenzo de Almagro
1 June 2012




What about music, what kind of music makes you happy?

It depends. I do like the Swan of Tuonela by Sibelius. Aren't swans supposed to be like geese, in that they mate for life? That's the ideal. So be careful before you kill a swan because you are probably killing a very important relationship.

Viggo Mortensen: The New Box Office King
By Jenny Ewart
Bent
January 2004




Q: How did the screen test go [For To Wong Foo, Thanks For Everything, Julie Newmar]?

A: I asked if I could sing 'When I Fall in Love' a cappella, figuring if I could make that much of an ass of myself I'd be less embarrassed saying the dialogue.

The Hot New 39-Year-Old
By Dennis Hensley
Movieline magazine
August 1998




We break up; collect nicely all out stuff, all orange peelings, bottle tops, and plastic glasses, and head back to his car, a Dodge Ram 2.500 pick-up diesel. On the dashboard lies dried flowers and what seems to be an Indian rosary, in the CD player is fusion music (new age and jazz), and Viggo Mortensen puts on a classic ranger hat. He seems to be very much at ease, as he sits here well above the driving lane and like a pinball navigates us through the brutal traffic.

Viggo from Hollywood
By Poul Hoi
M/S (Danish magazine)
August 2001




"Like others who grew up in the 1960s and 1970s, I took an interest in not only Kerouac, but also in what supposedly inspired them - apart from literature - during those post-war decades: the jazz figures (Charlie Parker, Dizzy Gillespie, Miles Davis, Thelonious Monk?), painting (Abstract Expressionism), and movies (Italian Neorealism, Nouvelle Vague, etc.)."

Viggo Mortensen: Furrowed Burroughs
By Aureliano Tonet - translated by Anita Conrade
Trois Couleurs
May 2012




Rain is the universal music - along with the contribution of the wind through a forest or punishing an open window, the roar of the rivers, the sea.

Viggo Mortensen
If The Rain Gets Here
By Viggo Mortensen and Fabián Casas - translated by Ollie and Zoe
Sobrevueloscuervos.com
9 October 2014



You will find all previous Quotables here.

© Viggo-Works/Iolanthe. Images © Festival Aphonica.

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Iolanthe's Quotable Viggo


Found By: Iolanthe

A lovely comment by Peter Farrelly in Screen Daily got me thinking about all the Directors Viggo has worked with, how deep the collaborations have become and how complete their faith in him is. Is there a Director out there who doesn’t want the chance to work with Viggo? I’m betting not…





“He’s Viggo Mortensen…it didn’t even occur to me that he couldn’t pull it off. I wasn’t hoping he could do it, I knew he could do it.”

Peter Farrelly – Green Book
Peter Farrelly, Viggo Mortensen talk 'Green Book' at Zurich opening
By Wendy Mitchell
Screen Daily
28 September 2018




‘Viggo demonstrates the aspirations of the movie, what kind of movie are you hoping to make, and for me, I can have no better faith than in Viggo Mortensen.’

Matt Ross – Captain Fantastic
Captain Fantastic: Viggo Mortensen and Matt Ross Interview
Jason Gorber
Dorkshelf.com
14 July 2016




‘I had dreamed of bringing Viggo Mortensen on board; his singularity made him the perfect fit for the role.’

David Oelhoffen – Far from Men
labiennale.org
21 August 2014




'Viggo is directed by himself, doesn´t need my help; he is an amazing actor, a unique person, a dream producer… I was very lucky that he liked the story.'

Lisandro Alonso - Jauja
Nueva voz: Lisandro Alonso y el cine de los hombres solos
El Deber
28 December 2013




“He was incredibly gracious and generous… He became almost like a partner, sort of a patron saint to the whole movie.”

Hossein Amini – Two Faces of January
New director turns to an old favorite, '2 Faces of January’
By Pam Grady
San Francisco Chronicle
1 October 2014




What was it that drew you to Viggo. Why was he right for the role?

I think he one of the best actors in the world.

Ana Piterbarg - Todos Tenemos Un Plan
Ana Piterbarg talks Tigre and Viggo with The Fan Carpet's Holly Patrick for Everybody Has a Plan at the 56th LFF
By Holly Patrick
Fancarpet
20 October 2012




‘I wanted to show another Freud, not the strict looking grandfather we all know, but someone in his fifties who, it’s said, was handsome, funny and charismatic. How was I not to think of Viggo?’

David Cronenberg – A Dangerous Method
David Cronenberg: "Nunca he ido a terapia, pero me parece una situación fascinante"
Rafa Vidiella
20minutos.es
3 November 2011




‘He is able to reflect struggle without even speaking, and I knew we needed someone who would not hold back.’

John Hillcoat – The Road
No Country for Any man
Telegraph Magazine
January 2010




“I wanted the guy who I could ride next to on a horse for ten hours and never say a word and feel totally comfortable, and I figured he’d be the guy. He’s the only man I wanted to play the role.”

Ed Harris - Appaloosa
TIFF: Riding Into Appaloosa with Ed Harrs, Renee Zellweger, Viggo Mortensen, and Jeremy Irons
By Jordan Riefe
The Dead Bolt
13 September 2008




Q: Aren't you scared to work with an actor like Viggo?

A: Of course, I'm scared. I'm anxious. I'm looking forward to it. I'd love to start it right now.

Vicente Amorim – Good
Rede CBN radio interview
3 June 2006
Translated by Claudia




‘….you get an immense resource when you get Viggo.’

David Cronenberg – Eastern Promises
by Quint
Aintitcool.com
18 December 2007




"...he's got the age, professionalism, look, body and he's one of the few action heroes in modern cinema."

Agustín Diaz-Yanes- Alatriste
Viggo Mortensen Will Be A Splendid Captain
by Gontzal Díez
The Truth of Murcail
19 February 2004




"Viggo has the charisma of a leading man, and the eccentricity and naturalistic presence of a character actor. He's the kind of actor I love."

David Cronenberg – A History of Violence
History Teacher, by Missy Schwartz
Entertainment Weekly
19 August 2005




‘I hadn't seen the first Lord of the Rings before we cast him, but I figured anybody that could sell blouses to Diane Lane out of a truck could do anything.’

Joe Johnston - Hidalgo
Staci Layne Wilson
American Western Magazine
March 2004




'Ultimately, you create your own luck. Fate does step in. When we ended up with Viggo, fate was dealing us a very kind hand. Viggo, in hindsight, was the one person who was perfect for this film. He came out of nowhere, and suddenly there was Aragorn.'

Peter Jackson - LOTR Trilogy
The Lord of the Rings: The Untold Story
By Ian Nathan
Empire
December 2004



[COLOR=#FFFF00][B]You will find all previous Quotables here.

© Viggo-Works/Iolanthe. Images © Getty Images.


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Last edited: 17 November 2018 21:25:44