Iolanthe's Quotable Viggo

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Iolanthe's Quotable Viggo


Found By: Iolanthe
Categories: Media Quotable Viggo

How about a bit of ‘swash and buckle’ this week from the ‘King of Swords’? Twice he’s swashed his way across the screen, as Aragorn and Alatriste. He even carried a sword through Jauja and took part in Daniel McNicoll’s documentary Reclaiming the Blade. I confess that I would have loved to have seen him in many more… so I’m nominating our coming Viggodom week as sword week!





Bob Anderson once called Mortensen as good a fencing student as he'd ever instructed.

A History Of Defiance
By Daniel Mirth
Men's Journal
October 2009




…the first day [on LOTR] I met the fight choreographer, Bob Anderson, who's been around a long time - he taught Errol Flynn to fence and represented the UK at the Olympics. I went into this room and there were all these stunt people standing there and screaming and yelling. He had them all pumped-up and he stood me in front of them and said "Okay, go!" And they all started running at me, and I was like, "Holy shit!" He said "stop" and they all stopped. Then he told me: "This is what you're going to be dealing with so let's get to work..." He gave me a sword and it was just, like, crazy for two days. The first thing I did on camera was swordplay and I liked it. It was fun.

The Ranger - Viggo Mortensen as Aragorn
by Martyn Palmer
Total Film magazine, 2002




Even before I spoke a single word of dialogue, I was forced to confront the physicality of my character. It was probably helpful to do something physical before speaking. More than for any other character, Aragorn's actions speak for him. His choices, the decisions he makes, his physicality, his body, tell you a lot about him. He's a man who throws himself into situations. Which is why it was good to begin my work with a swordfight.

Viggo Mortensen
Official Movie Guide




Mortensen's facility with the sword became immediately apparent. "The people who were teaching him said that he was insanely talented," says Miranda Otto, who plays the Lady Eowyn, who falls for Aragorn. "There's one scene [at the end of] the first film where a knife is thrown at Aragorn, who clocks it with his sword. One of the stunt guys who was meant to be his double said, 'I've been practicing that and I've never been able to [hit the knife] once, and Viggo hits it on the first take. I hate him.'"

Miranda Otto
The Hero Returns
By Tom Roston
Premiere 2003




"He got this reputation as an eccentric because he would carry his sword around, but I found it quite inspiring. There was a glimmer in his eye - he was aware of how other people were perceiving him - but he really reawakened in me a sense of the possibilities of what it can be as an actor enjoying a role."

Sean Astin
A Fantastic Leap of Faith
by Brent Simon
Entertainment Today, 2001




"I remember one time a cop in New Zealand, where we were filming, stopped me because I was walking out of my apartment in the middle of the night carrying a huge sword. I guess it was an alarming sight, but I was just walking to work. "

Viggo Mortensen
Rings Actor Lives Warrior Role
Chicago Sun Times, 2001




"It was very important to me to make everything as believable as possible. That's why, even when I was exhausted, I always fought with the [heavy] steel sword rather than the lighter one," he explains. "I wanted to make sure the fight scenes were realistic. I shouldn't be able to just throw my sword around like Errol Flynn did, especially when I'm really tired. It should be hard to fight with it! Even when I was just walking around, I'd still wear the steel sword because it was heavier and it affected the way I moved."

Viggo Mortensen
Viggo Mortensen
by Desmond Sampson
Pavement #62, 2003




One day he suggests we go to a beautiful place he knows, Huntington Botanical Gardens, in Pasadena. He picks me up in his hybrid, clearing a scattering of CDs and a small ornamental dagger of Henry's from the passenger seat. Only later, when we park, do I notice the full-size fencing sabre across the shelf by the back window.

The Rebel King
By Chris Heath
GQ magazine
April 2004




It is the return to the big screen of the king of swords in modern cinema in a film that summarizes the five novels published on the character.

Alatriste
The Soul of Viggo (El Alama de Viggo)
By Miguel Juan Payan, Accion magazine, April 2005
translated by Chrissie




In the darkness, Alatriste's sword glows like Luke Skywalker's lightsabre. By day, his steel blade would be the envy of The Three Musketeers.

Alatriste: The Great Spanish Hero
By Carlos Maranon - translated by Margarita
Cinemania
September 2006




I remember a practice session with Bob [Anderson] which was attended by several highly experienced fencers who were my opponents, including one who was internationally ranked. This man was attacking me with some ferocity when Bob suddenly halted the practice. He asked him to come closer, that he wanted to ask him something. Bob wasn't feeling well at that time; he had a lot of problems with his health, and was seated in a chair. He wasn't able to fight with us to show us how he wanted to put the sequences together. He remained seated, watching the practice, occasionally giving us instructions with absolute calmness and authority. He didn't miss a single detail. He asked the fencer if he felt comfortable. He said yes. Bob asked him if he wouldn't feel a little more comfortable if he slightly changed the way he held the sword, a matter of a centimeter. The swordsman said it wasn't necessary, that he'd done it that way for many years, and quite successfully. So Bob grabbed a sword that he had on the table beside him and asked the guy to put himself en garde. "Are you ready, sir?" asked the master fencer. "Yes, always," said the swordsman with a small smile, probably thinking that Bob was joking. "Are you really ready?" "Yes, sir." With a light but very quick movement of his wrist, Bob struck the man's sword, and it flew some 10 meters. The swordsman stood there amazed and a little upset. We were very still, amazed..

Warrior Geniuses Sought For 2012
By Viggo Mortensen - translated by Ollie, Rio and Zoe
Sobrevuelos
Club Atlético San Lorenzo de Almagro
17 January 2012




'Enrico Lo Verso was there, a great discovery for this film, a tall guy who plays the baddie, and Unax Ugalde and Viggo. They were rehearsing and I saw it: they were sweating like pigs, he insulted them and beat them with a stick..."You're a sissy, this isn't done like that! You would have been killed already, you son of a bitch! Come on, do it again!!, Do you want to kill?. You can't kill s**t!!. You're a mug!!' Do not expect "ornate postures" in the duel scenes, because you're looking for the right moment to move in (for the kill), because if you make your move too early you'll lose. That's what Bob Anderson transmitted to the actors, that's how it was done in the Golden Century.'

Arturo Pérez-Reverte
Talk About Alatriste at the Alatriste y su mundo exposition
By Luthien 66 (transcription) - translation by Paddy
4 April 2006




'I was behind the cameras, a privileged spectator watching hundreds of riders charge again and again against the loyal Spanish infantry and Viggo in the front line, his head uncovered and sword in hand, defending his life and that of his comrades… Even on the days when he is not filming, he dresses [for the role] and stays away, with his sword in his hands, thinking. And that's how he is, the bastard. Immense.'

Arturo Pérez Reverte
El Semanal, July 2005-08-04
Translated by Elessars Queen




... Mortensen... has already entered into cinematic folklore as one of the great screen swordsmen of our time.

The Reluctant Hero,
by Douglas Andrews
Sunday Express 2002




Now, Viggo, you speak seven languages, you write poetry in three languages, Danish, Spanish and English, you ride horses superbly and you’re a great swordsman and all our womenfolk are in love with you… do you understand how annoying you are?”

Radio interview with Richard Glover
ABC Sydney
24 March 2009



You will find all previous Quotables here.

© Viggo-Works/Iolanthe. Images © Estudios Piccaso / Origen Producciones.

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Laura Linney Joins Viggo Mortensen’s Family Drama ‘Falling’


Source: Variety
Categories: Falling Movies


This news on Viggo's latest project (and his first turn as director) from Variety.


Quote:
91st Academy Awards - 24 February 2019
91st Academy Awards - 24 February 2019.
© Getty Images.
Laura Linney, Hannah Gross, and Terry Chen have joined the cast of Viggo Mortensen's family drama "Falling."

The movie will be Mortensen's directorial debut. He's also producing, wrote the screenplay, and is playing one of the two leading roles in a story about a son's relationship with his aging father. Production is currently underway in Toronto. It will also shoot in Los Angeles.

Mortensen will portray a man who lives with his male partner, played by Chen, and their adopted daughter in Southern California. Linney will play his sister and Gross will portray his mother. Lance Henriksen will play the father, a farmer whose attitudes and behavior belong to a far more traditional era and family model. He travels to Los Angeles for an indefinite stay with his family as he deals with memory loss.

"Falling" is produced by Daniel Bekerman of Scythia Films and Chris Curling of Zephyr Films together with Mortensen, who previously produced "Everyone Has a Plan," "Far From Men," and "Jauja" through Perceval Pictures. It is funded by Perceval Pictures, Ingenious Media, Falling, LLC, Scythia Films, Zephyr Films and Lip Sync Productions. Executive producers are Peter Touche and Stephen Dailey for Ingenious Media, Danielle Virtue and Brian Hayes Currie for Falling, LLC and Norman Merry for Lip Sync Productions.

HanWay Films is handling international sales and distribution, and UTA Independent Film Group is overseeing the US sale.

Linney has received Academy Award nominations for "You Can Count on Me," "Kinsey," and "The Savages." Mortensen has also earned Oscar nominations for "Green Book," "Eastern Promises," and "Captain Fantastic." Gross' credits include "Mindhunter," and Chen starred in "House of Cards."

Linney is represented by ICM Partners, Lighthouse Management & Media and Morris Yorn Barn Levine (Kevin Yorn), Chen by The Characters Talent Agency and Capstone Talent Management and Gross by ICM Partners and Authentic Talent and Literary Management.

© Variety. Images © Getty.

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Iolanthe's Quotable Viggo


Found By: Iolanthe

So – ‘Falling’ is underway. Viggo finally creating a story for us on film instead of in a photograph, or in a poem, or in paint. Finally creating in a medium that combines everything both written and visual. Because Viggo is an artist through and through, an intense observer of the world with a seemingly unending interest in everything, and because he has the ability to assimilate and produce new creative insights from his experiences, the only surprise is that it’s taken so long.




This man must know something, a man who walks round the forbidden forests of the human nature with impunity, stirring up the bowels of everyday life with his curious eyes and his restless hands; who transforms everything he experiences, everything he sees, into a complex art, neither bad nor good, just different and universal at the same time.

He lives his way and gets entangled in whatever he finds in his path. Then, he gives it back transformed into a sort of abstract personal experience that he quietly shares with those who want to get closer.

Viggo's Other Look
Diario de León
by María Dolores García - translated by Paddy
26 June 2005




...Viggo extracts a big moleskin notebook from his backpack, like a naturalist's notebook, a logbook, in which he notes down his thoughts and everything that passes through his mind with a big, tangled handwriting like the rigging of a schooner.

River Mortensen
By Ramón Raboiras - translated by Ollie, Rio and Zoe
Esquire
September 2012




An encounter with Viggo is sitting on a porch, drinking a bombilla of mate and watching time pass in such a way that every now and then new reflections, inquiries, ways of looking at things arise. It can take a whole season. Watching many skies pass by.

River Mortensen
By Ramón Raboiras - translated by Ollie, Rio and Zoe
Esquire
September 2012




Mortensen has a disposition towards an archaeology of emotions, of things that are buried, weathered but surviving along with the rest of us

Kevin Power
Viggo Mortensen: A Life Tracking Itself
Singlanguage 2002




I'm an observer. An artist. But I think that all people are artists. You go walking down the street and hear something that a person says and already you're imagining something about the life of that person. Then, someone is speaking on their phone in the line at the bank and he says, "No mom, that's not going to fall down" and hangs up. And you've already invented a complete story about who he's speaking to, who or what is going to fall down. The way you pay attention is already an artistic activity..

"We are all artists" - Viggo Mortensen
By Susana Parejas - translated by Ollie and Zoe
7 Dias
2 September 2012




How you sense the world around you is art in its own form. To stop for one silent moment and just see what happens.

Viggo Mortensen
Margt til lista lagt article from Fréttablaðið
visir-is
Translated by Ragga
June 2008




'Inspiration is a notion, an impulse that has its own shape, before you stumble onto it. If you're in too much of a hurry, you try to tell it what it is, instead of having it tell you what it is. And I think if you do that, you're gonna miss out.'

Viggo Mortensen
Viggo Mortensen ('80) Remembers
By Macreena A. Doyle
St. Lawrence University, 2003




Like all writers, I write many different things, but you always create using your own life, even if everything is imaginary on the page. As much as you invent a totally distinct world, there’s always something of yourself, even if you don’t realize it. I contribute my experiences as a person who’s travelled all over and has had a somewhat unusual bond with language. Canciones de invierno [Winter Songs], for example, has things that seem to be very true and very much mine, and they aren’t. Maybe the writings where I hide or invent myself are more my own than those that are directly autobiographical.

Viggo Mortensen - All of Us are Mestizos
by Carlos Shilling – translated by Ollie, Remolina, Rio and Zoe
LaVoz
November 2010




“All great artists reveal themselves more in their work than in interviews. Every time Viggo's in front of the camera or picks up a pen or a canvas or a camera, he's opening the door to his heart. This is where he's telling you the secrets of his life . . . Viggo cannot strike a fake note. I say with absolute experience that if he doesn't believe it, he won't do it.”

Philip Ridley, Director
The Reflecting Skin and The Passion of Darkly Noon
The Telegraph




His work is a trace of his own adventure, lived openly and exploratively, with curiosity and a constant sense of surprise.

Kevin Power
Viggo Mortensen: A Life Tracking Itself
Singlanguage 2002




“He is a connector, the agent who brings people and ideas and feelings together in ways that transcend customary forms of expression and measures of success.”

Daniel F. Sullivan
St. Lawrence University
March 1, 2003




“He allows the art to move through him like a vessel…”

Robert Galarza
Find 4 Change and AMFM Fest co-director talking about Viggo being awarded the 4th Dennis Lee Hopper Award
The Wrap
23 May 2013




"To me the movies that I'm in or a painting or a drawing or a poem that I've made, a photograph, they are all journals in a way, a living diary," said Mortensen. "Everything's about that, valuing what's been and where I am now based on the accumulation of those experiences."

Viggo Mortensen On 'The Road' And The Importance Of Human Connections
By Todd Hill
Staten Island Advance
27 November 2009



You will find all previous Quotables here.

© Viggo-Works/Iolanthe. Images © Victoria Looseleaf.

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Viggo Mortensen live at TIFF (x2)


Source: TIFF
Categories: Film Festivals Media
Quote:
001joa.png
© TIFF.
The Oscar-nominated actor, author, photographer, poet, painter, and son of Arathorn stops by TIFF Bell Lightbox on March 23 to discuss Carl Theodor Dreyer's The Passion of Joan of Arc (Rush eligible screening), and again on March 30 to chat about David Cronenberg's Crash. Mortensen hand-picked the films — both 35mm prints — from TIFF's Film Reference Library Screening Collection. Tickets are limited – get yours today!
You can get tickets for both events HERE.

© TIFF.

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Scandinavian Traveler


Source: Scandinavian Traveler.
Found By: Eriko
001scand.jpg 002scand.jpg 003scand.jpg 004scand.jpg 005scand.jpg 006scand.jpg 007scand.jpg 008scand.jpg



Our thanks to Eriko for bringing us this new article on Viggo from Scandinavian Traveler Magazine.

Click on image to enlarge.



© Scandinavian Traveler.


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Last edited: 21 April 2019 12:44:59