Quotable Viggo 2020

Print

Goto page: 1 2 ... 5 Next


Quotable Viggo: 13 September 2020

I loved Viggo’s comment about his flip phone in this week’s Q CBC interview. Indeed, it’s still working, so why throw it out? It’s just a functional item and Viggo has never been one to follow trends or live with his phone constantly in his hand. In some ways he is beautifully ‘old-fashioned’ in the best sense of the word. He still treasures things that our fast-paced, crazy world under-values and is increasingly leaving behind. He still believes in being in the moment without distraction, in having some silence in which to gather your thoughts, in the slower consideration of a hand-written letter, in the living experience of being in a cinema with others. It’s one of the reasons we love him, isn’t it?



Image Rich Polk.
© Getty Images for IMDb.



He's still the proud owner of a flip phone, his one Luddite pleasure (well, aside from sending postcards to friends), and is in the midst of a self-made avalanche of responsibilities: an upcoming film he's directing, a publishing house he runs, a new book of Spanish poetry he's releasing.

He knows himself: "If I added social media and Instagram and Twitter, I'd never get anything done."

Finally, an Oscar for Viggo? Mortensen shines a light on 1960s-era racism in 'Green Book'
By Andrea Mandell
USA Today
15 November 2018




“It’s still working so why throw it out?”

Viggo Mortensen on his flip phone
Q CBC Interview
12 September 2020




Viggo Mortensen, who seems only loosely tied to modern life at the best of times...

Helen O'Hara
Empire Magazine
18 August 2016




People today are much less present in spite of being hyper-connected. You see people in the street absorbed in their cell-phone; there’s plenty of time for that message. What’s more important than now?

Viggo Mortensen: "The feeling of the absurd is something that's constant with me"
By Ima Sanchis - translated by Ollie and Zoe
La Vanguardia
8 October 2015




"…there is something to be said for being isolated and out of phone range, because you can fall into a habit to such a degree that you don’t even realise that you’ve lost something: silence."

Viggo Mortensen's grand plan
Telegraph Men’s Style Magazine
By Sheryl Garratt
26 March 2013




'He's never different,' the guitarist says. There's a long silence. 'He doesn't seem like he belongs in this time.'

Buckethead on Viggo
Eats Roadkill, Speaks Danish, by Amy Wallace
Esquire magazine
March 2006




Correspondence greatly occupied Freud and Jung. One no longer writes many letters today. Do you?

Yes, I still do. And when I do, people are surprised to receive them. It's becoming rare. Almost exotic. But I like it, yes.

Viggo Mortensen in the Shoes of Dr. Freud
By Nicolas Crousse
Le Soir – translated by Dom
4 September 2011




In our relentlessly tech-driven age, the actor, now 57, feels strongly about the importance of the written word.

"Oh yeah,'' he says. "The written word and even the handwritten word. I still send postcards. I hope that it never becomes entirely impossible to put a letter in a mailbox and have it arrive magically on the other side of the world.'' And for all its benefits, he says technology — the harmful effects of which are alluded to in the film — may be shrinking our attention spans: "Sometimes, yeah. I think people are less patient and their attention span [is shorter]. It also goes with movie going culture. It's less frequent that people will sit for two hours or three hours and watch a movie that unfolds slowly and in a complex way. Same with novels and poems. People are maybe less patient.''

Viggo Mortensen goes off the grid for film Captain Fantastic
Rosemary Neill
The Austrailian
19 August 2016




...he’s still in love with old-school cinema.

“I’m sort of old-fashioned in that I don’t think a movie is fully realized until people have paid a few bucks to go into a room and sit down together, with strangers,” he said. “I think there’s something about that that’s different. You can sort of simulate that in your house, but there’s something about the movie house, the movie theater, that I think is valuable. I hope it never completely goes away.”

How Viggo Mortensen learned to be captain of 6 kids onscreen
Moira Macdonald
Seattle Times
8 July 2016




"I doubt that I will ever watch a movie on a mobile phone."

A Minute with Viggo
Viggo-Works
7 October 2015




Lately, he's repaired his analog cameras and has gone back to shooting film. "Nothing against digital photography," he says, "but I love those old cameras, and I love film.”

The Book of Viggo
By Shana Nys Dambrot
LA Weekly
1 November 2018




Viggo Mortensen, Oscar-nominated star of the new film "Captain Fantastic," said he hasn't played [Pokemon Go] but his son has explained it to him and he doesn't judge it.

"When I do have a little bit of free time, there are other things that I personally would like to do (rather) than that. But I can understand it's a fad," he said. "It probably won't last forever but people are running around like chickens with their heads cut off, chasing these illusions.

"But they're also having fun. There's no point in being judgmental about it. I don't have a criticism, I just think it's amusing."

News1130
25 July 2016




"I've chosen to live a certain way, and I don't want that to change," offers Mortensen by way of explanation. "I like being detached from the constant feed of phone calls and news and entertainment. So much of it is based on selling you something. If you turn on the television, if it's not the ads, it's somebody with an agenda, trying to get some political message across, or force some opinion on you. I know there are some good things on there too - The Simpsons, Sopranos, whatever - but I just feel my time is better spent reading a book, or drawing, just creating something."

Long Live the King
By Paul Byrne
Wow.ie
April 2004




I bet the guy even turns off his cell phone in movie theatres.

Movie review: The Road will rivet you
Marshall Fine
Huffington Post
25 November 2009


Quotable Viggo: 6 September 2020

After Viggo’s eyes, you’d think people would comment most about that distinctively dimpled chin, but no. It’s his cheekbones. Watching the trailer for Falling I was struck again by how chiselled his features are (I know, I was probable concentrating on the wrong thing). He has a bone structure that age will never wither. His cheekbones have been described as lemon-juicers, bookshelves, bacon slicers and arrowheads. They came most into their own in Eastern Promises where they probably should have had their own acting credit…



© Focus Features.


There is nothing fierce about him except his cheekbones.

The Brain Dane
By Ariel Leve
The Sunday Times
30 November 2003




His face is strangely feline in its geometry, heart shaped, the sharp lines of his cheekbones framing his blue eyes. Even when he is covered in dirt or sweat or blood (or sometimes all three), he’s still in possession of a dignity that few other actors can rival.

Viggo Mortensen, the Unlikely Leading Man
New York Times
By Thessaly La Force
15 October 2018




As Frankie, Mortensen has a plum role for an actor starting out and grabs it with both hands. Deploying that unsettling stare and those bacon-slicer cheekbones for the first time, he creates a memorably feral, seductive and unpredictable lost soul with a capacity to switch from charm to menace in an instant that brings to mind a young Kirk Douglas.

The Indian Runner (1991) Film Review
By Jeff Robson
Eye for Film
14 September 2011




Mortensen's performance is astounding. Looking a lot more like Gollum than Aragorn, he's shaggily bearded, smeared in grime and shockingly thin, with cheekbones like lemon juicers and teeth like the visual aids in a school anti-smoking lecture? Viggo Mortensen gives a three-dimensional performance in 'The Road' that needs no 3D glasses.

Nicholas Barber
The Independent
10 January 2010




Mr. Mortensen has bladelike, Slavic cheekbones, the most jutting movie chin since Kirk Douglas's and icy blue eyes that can seem soulful one minute and menacing the next. He also has a compact, chiseled physique that looks great adorned with Russian mob tattoos.

Big Gun Takes on the Apocalypse
Charles McGrath
New York Times
10 September 2009




He is not a man who can walk into a room unnoticed. His father, also called Viggo, is Danish, and Mortensen has inherited his northern European features - the bowed brow and arrowhead cheekbones.

Lone Star
By Peter Ross
Sunday Herald
Dorchester, UK
11 April 2004




It does not hurt that, alone among the multinational leads, he manages a persuasive Russian accent--nor that, with his extraordinary looks (those cheekbones could have been cut by a jeweler) and athlete's physique, he all but demands the camera's attention.

Reviewer talking about Eastern Promises
Christopher Orr
TNR Online




Have there ever been so many chiseled features on one big screen? You could sharpen knives with their stony cheekbones.

Reviewer talking about Appaloosa
New York Magazine
By Logan Hill
24 August 2008




Viggo Mortensen is a serious and impassioned actor whose apparent severity extends to his Nordic features: he has hard blue eyes, and a pair of cheekbones that could double as bookshelves.

Viggo Mortensen: A Method Actor in Middle-Earth
by Ryan Gilbey
The Independent.uk, 2001




Viggo Mortensen is not about the words. He's about being... present. .......
......Mortensen's an actor I'm content just to watch: Those riven cheeks, taut against blade-sharp cheekbones, features that gift golden hour. He quietly inhabits the role of Frank Hopkins....

Ray Pride
Movie City News
Review Date: March 4, 2004




But even his fatigue did not disguise his almost unfair handsomeness, which manifested itself in extremely chiseled cheekbones and jaw, in silky hair that fell over his forehead, and in eyes of ice-blue. Sadly, the fetching stubble and flowing hairstyle that he wears as Aragorn were absent, along with the swashbuckling cloak, but you can't have everything.

The Man Who Would Just As Soon Not Be King
Sarah Lyall
New York Times
7 September 2003
New York Times




On Monday, Viggo Mortensen stood, somewhat nervously, in Brookline to collect the ninth annual Coolidge Award, an honor that has in previous years gone to Meryl Streep and Thelma Schoonmaker for contributions to film. At the Coolidge press conference, Mortensen appeared charismatic but enigmatic, a clear reflection of the stern commitment to authenticity and humility that garnered him the award. At the same time, however, Mortensen's high cheekbones shadowed twenty years off of his age and gleamed with Tolkien's same childish voracity to absorb and preserve the richness of humanity.

The Profundity of Viggo Mortensen
By Michela Smith
Daily Free Press
8 March 2012




DC: I don't think of you as an American. As I said when we did History Of
Violence, I could tell that you were actually Russian-it's obvious from your
cheekbones. I doubt that you'll be able to play any other kind of role now.
They'll say, "You can't cast Mortensen as an American - he's so foreign?..

- I thought it was incredibly bold of me to cast you as an American in
History Of Violence.

VM: Well, yeah, but it was a twisted view of America.

A Conversation Between David Cronenberg And Viggo Mortensen: The Interview
Transcribed by Patches
28 Sept 2007


Quotable Viggo: 30 September 2020

It looks like Viggo and Lisandro Alonso will be working together again and making more movie magic – their last collaboration produced the incredible journey that became Jauja. And this time we even have a name before filming: Eureka. Viggo was deeply involved with the creative process in Jauja and also took on the role of Producer. For Lisandro this was the first film in which he had worked with a professional actor rather than local amateurs, and the result was so extraordinary and original that festival critics were blown away. Let's take a look back at the film and their highly creative partnership.



Image Guadalupe Gaona.
© 4L Productions.



Some months ago, unthinkable, unpredictable news appeared: the famous American (and Danish) actor, Viggo Mortensen, the one from The Lord of the Rings, would be the star of the new Lisandro Alonso film, still untitled, spoken in Danish...

The Lord of Independence
By Roger Koza - translated by Ollie, Rio and Zoe
La Voz
7 April 2013




Few stars of his stature would consider such a low-budget arthouse film in a foreign language - let alone co-produce it, be able to act in both Spanish and Danish, and be prepared to sport such spectacularly awful whiskers.

Viggo Mortensen shows his independent side
by Demetrios Matheou
Herald Scotland
4 March 2015




Why Viggo?

For me, it was ever since I saw the film he made with Cronenberg, A History of Violence. I really liked him as an actor. Then I met him in 2006, in Toronto for the film festival, and we just spent a couple of minutes together at a party. I'd never before worked with actors, because I thought… Well, I have some wrong ideas about some of them. [Laughs] Not all of them, but some of them.

Lisandro Alonso
Lisandro Alonso On "Jauja," Viggo Mortensen, and Narrative Mysteries
By Luke Goodsell
Movie Mezzanine
17 March 2015




… he gave me a San Lorenzo pin - he's always going around giving people those things. I liked him very much; right then I realized that we could treat one another as equals.'

Lisandro Alonso
"It´s a mixture of spaces, times and languages."
By Diego Brodersen - translated by Ollie and Zoe
Pagina 12




'He's a great actor and I'm a new guy, in terms of actor's stuff, so I think I had to sit down and learn from him. I didn't speak that much, and I think Viggo knows 100 percent how to interpret this guy.'

Lisandro Alonso
Lisandro Alonso On "Jauja," Viggo Mortensen, and Narrative Mysteries
By Luke Goodsell
Movie Mezzanine
17 March 2015




The actor acknowledges that working with a director known for his off-the-grid methods – such as using primarily with non-professional actors – was a bit of an adjustment. "It took a little getting used to," he says. "For one scene I asked Lisandro who was doing the continuity on the set, and he asked me, 'What's that?' The way he works, he's never had to worry about things like that before."

Adam Nayman
Globe and Mail
9 September 2014




'He was the first one to wake up and try to organize the crew. I really learned a lot from him. He's a worker, you know, a machine, all the time thinking good things for the project. Sometimes he was too much for me, because I was not used to that. I was used to working with people who don't know how to read or write, you just organized a little bit of the frame, and that was it. But with Viggo, you have to talk about why you wanna do that, in terms of where to put the camera and the lights, you know.'

Lisandro Alonso
Lisandro Alonso On "Jauja," Viggo Mortensen, and Narrative Mysteries
By Luke Goodsell
Movie Mezzanine
17 March 2015




"I´d say, [he was] thinking about the film 24 hours a day."

Lisandro Alonso
"It´s a mixture of spaces, times and languages."
By Diego Brodersen - translated by Ollie and Zoe
Pagina 12
27 October 2013




Lisandro Alonso says that, during the shoot, you'd knock on his door at 7:30 in the morning to suggest ideas to him. Are you an interventionist actor who constantly contributes ideas?

Yes, you have a limited window of time to say something that you hope lasts and you have to make the most of the opportunity. And with an open director, like Lisandro, it's much easier. He can make use of whatever he likes.

Viggo Mortensen: "People don't think of me only as Aragorn."
By Àlex Montoya - translated by Ollie and Zoe
Fotogramas
23 September 2014




'We didn't have much film. We were shooting it on real film and we had a limited amount, so in the latter stages of the shoot we were down to short ends and that was clear. I'd ask, "Well, how much [film] do you have left?" And [Alonso] would say, "Well I have a piece about a minute or less, and one that's about 39 seconds." And I'd tell him, "Well, at a quick trot to cross that piece of ground, 39 seconds would be cutting it a little close so save that longer bit for the next scene."'

Viggo Mortensen Tells Us Why He Hasn't Done Blockbusters Since 'Lord Of The Rings'
LAist.com
By Carman Tse
19 March 2015




It was interesting to work with a director who does long shots, without being afraid of the calmness and the length of time: in front of the camera, everything you do becomes interesting. It's the first time that he was using professional actors, but in the film, we don't look like actors, we just look like people. People who are having real experiences. In these conditions, it's impossible to make a mistake. It's a strange feeling as an actor. What you do will be in the film. That gives you confidence and peace of mind.

Viggo Mortensen: "If The Lord of the Rings can win 12 Oscars, I don't see why Avatar wouldn't win the Oscar for best film."
By Eric Vernay - translated by Donna Marie
Premiere (France
21 May 2014




Mortensen and Lisandro are obviously more concerned with art than commerce. Even the way Jauja is presented could alienate, the 4:3 ratio looming like a relic of a bygone age. "The Academy frame was something that happened in the process," explains Mortensen. "When [Lisandro] started looking at the footage the lab had cropped it strangely. He wanted to see more of the sky, and he was concerned about that. So he said, 'Just send it to me so I can edit it.' As soon as he saw it, he realised that's the way it should look, and so he put it together that way."

Viggo Mortensen talks Jauja
By Philip Bagnal
Scannia
11 March 2015
Student
6 April 2015




"Viggo is incredible. He has the triple role of actor, producer and musician and along with that, he was thinking about how to improve the film 24 hours a day. In addition he rigorously corrected every French, English and Danish subtitle."

Lisandro Alonso
The Lord of the Roles
By Pamela Biénzobas - translated by Ollie and Zoe
In-LAN




"What I think is special about Lisandro is that he's able to make a truly original movie, remarkably original, without referencing other filmmakers or other movies, without drawing attention to what he's doing, without showing off. My feeling is that the film is not in any way pretentious, and yet it stands out from all other movies. That's a hard thing to do."

Viggo Mortensen talks Jauja
By Philip Bagnal
Scannia
11 March 2015




I never enjoyed a collective effort more than I did during the ultra-creative, multilingual collaboration we experienced as a team in those beautiful natural landscapes deep in Argentina.

Viggo Mortensen
Something Material
By Viggo Mortensen, Fabián Casas and Lisandro Alonso - translated by Ollie, Rio and Zoe
Sobrevueloscuervos.com
31 May 2014


Quotable Viggo: 15 August 2020

Theatre has been very much on my mind lately. My friends and I are all amateur theatre performers and with no sign yet of a sensible way to allow them all to reopen and still fill enough seats to avoid a massive loss, we are missing our acting and singing! Live theatre is special. It's dangerous – you never know what might happen or what a fellow actor may suddenly improvise. You never know how the audience will react to any scene or line - it varies from night to night. You never know what you might have to do when something goes wrong (I once spent most of an act on stage holding up a piece of scenery…). But you can never forget how wonderful it is, for audience and performer, when it goes right. I wish Viggo had done more theatre, especially after his early success in 'Bent', but cinema called. At least we have his performance in Purgatorio, a very difficult two-handed which presents the actors with enormous challenges…



https://www.viggo-works.com/webpageimages/6purg.jpgImage Andrés de Gabriel.
© Teatro Español.



What brought you to theatre? "Fear. I've done theatre because it frightens me. I'm attracted to everything that frightens me… It's a new adventure every night. If you get off track, you have to see how to get back."

Viggo Mortensen: "I'm attracted to what scares me"
By Roció García - translated by Ollie, Rio and Zoe
El País
24 November 2011




"[Dorfman] sent me a version of the play. It's a play that has been evolving. It was performed in a theater workshop, I think in Seattle, in the northwestern United States, for the first time and it's been attempted several times. Ariel says, more or less in jest, that it's a cursed play, that every time he tries to put it on in a, shall we say, legitimate theater, it doesn't work. Someone gets sick, something happens, somebody leaves, and there's been a long journey for us, too, before arriving here."

"La Ventana" with Viggo and Carme
By - transcribed by Ollie and translated by Ollie, Rio and Zoe
Cadena SER
23 November 2011




The whole process of the [Purgatorio] rehearsals that were so difficult up till now, with a very complicated script, has been a very interesting education for me. I´ve liked this very much and, up to a certain point, it heals, improves my perspective as an actor, as a person.

Viggo Mortensen
Inside The Dressing Room
By - transcribed by Ollie and translated by Ollie, Rio and Zoe
El Mundo
15 December 2011




'[It's] been a tough but rewarding challenge after more than 20 years not doing a play. Tough subject, difficult script to memorize and present.'

Viggo Mortensen on Purgatorio
Viggo Mortensen Talks Working With Kristen Stewart in On the Road
by Allie Merriam
Buzz Sugar
29 November 2011




"It's just two characters, and it's an hour and 45 minutes," he said, with no intermission. "Any mistake you make is live, and it can go off the rails," he said. "Also, in the script, there's a lot of repetition and a lot of strange things about time."

Viggo Mortensen interview
By Chris Brock
Watertown Daily Times
20 November 2011




Sometimes, during rehearsals, I have thought that I've been an idiot to get into this theatrical challenge, but then the doubt, the insecurity go away and I keep enjoying what I´m learning from my colleague Carme Elías, and from our director, Josep María Mestres. Ariel Dorfman´s script is demanding, but it´s full of little gifts that keep coming to you…

Viggo Mortensen: "Sometimes I have thought that I´ve been an idiot to get into this theatrical challenge"
By Liz Perales - translated by Ollie, Rio and Zoe
El Cultural
31 October 2011




During rehearsals, even in some performances, there are moments in which we say, "Ah, that phrase also means this or it could..." Or, last night, we had quite a laugh there. Also, it's also possible...Or, at times, you cry at one point and during another performance, you don't. I don't know, because the thing is alive."

"La Ventana" with Viggo and Carme
By - transcribed by Ollie and translated by Ollie, Rio and Zoe
Cadena SER
23 November 2011




I put the script here, although I already know the text. I always have the script backstage. I have this owl with the bracelet in San Lorenzo colors; I touch the two eyes of the owl every night before I go on. I have a photo of San Lorenzo's first championship team in 1923, Father Lorenzo Massa, the Silesian who founded San Lorenzo, I have chocolate. I'm always eating...

Viggo Mortensen
Inside The Dressing Room
By - transcribed by Ollie and translated by Ollie, Rio and Zoe
El Mundo
15 December 2011




Viggo Mortensen is a better stage than film actor. And not because that medium is bad, but because the nearness of the spectator and the live performance allow one to appreciate more intensely the entire panoply of gestures and intonations that accompany his acting.

An Interpretive Reading
By María Martín - translated by Ollie and Rio
Diario Abierto
14 November 2011




It seems incredible to me that the guy I had seen the day before in Freud´s skin in Cronenberg´s flick was the same actor we had less than a metre away (we were in the first row, facing the stage). He looked like another, completely different person. With another voice, other features, other movements...If this is not a huge actor, I don´t know who could be.

Purgatorio Review
By José Angel Barrueco - translated by Ollie and Rio
Globedia
28 November 2011




The third act, when the cursed lovers meet again, is a beauty. Carme Elías throws herself into the horrifying confession and reaches her emotional height because she captures the duality of this devastated and indomitable woman who wants to begin anew but would return to doing everything she'd done, and Viggo Mortensen is unsurpassable in humanity, contained pain and buried passion.

You and I make four
By Marcos Ordóñez - translated by Ollie, Rio and Zoe
El País
7 November 2011




"I find peace in Viggo´s eyes. Confronted with the giddiness of the text, you can take risks with him, walk the tightrope."

Carme Elías
Viggo Mortensen And Forgiveness
By Ulises Fuente - translated by Ollie and Rio
La Razón
1 November 2011




"I learned more about acting and thinking on your feet in that play than in my last ten or fifteen years in filming," he says, seriously. "There's no saying cut, you just figure it out; it's like an hour and forty minutes long take. I really loved it, loved the connection with the audience."

Viggo's round-table at the Freud Museum
by Lucy Wiles
Felix Films
10 February 2012



Quotable Viggo: 1 August 2020

At the beginning of July we had a belated review in Flood Magazine of Viggo and Buckethead’s collaboration Pandemoniumfromamerica headed ‘It’s Time to Talk About Viggo Mortensen and Buckethead’s Collaborative Album. Well, I think it’s time to ‘Quotable’ again about their experimental music making. Though not quite my thing (I have tried), I do admire the sheer guts it takes to just have fun, muck about, remove all limits and just see what happens. It’s really creativity at it’s most raw.



]©TDRS Music/unknown


[Pandemoniumfromamerica] is endlessly unsettling—it sounds more convincingly apocalyptic than the adaptation of The Road Mortensen would shoot six years later. It doesn’t get much more skin-crawlingly weird than hearing Viggo whisper William Blake’s America a Prophecy over his own atonal piano and aimless harmonica on the title track.

It’s Time to Talk About Viggo Mortensen and Buckethead’s Collaborative Album “Pandemoniumfromamerica”
Flood Magazine
by Mike LeSuer
1 July 2020




Taking lyrical cues from William Blake, Rumi, and Jonathan Swift (whose "Holyhead" gets murky, standout treatment), the album could almost be called the dissonant but similarly adventurous Sgt. Pepper of its age...

On Pandemoniumfromamerica
Holding Court with the King: Viggo Mortensen heralds the return of the renaissance man
By Gregory Weinkauf
East Bay Express
2003




"It is a tribute to the memory of the victims of the 11th September tragedy. I wrote the words, but I also used texts that I love very much… It's totally experimental. The Hobbits agreed to join me and it was a lot of fun, we improvised on the spot, we spent our time exchanging instruments. Elijah played the battery and the piano."

Viggo Mortensen on Pandemoniumfromamerica.
A Year in the Life of Viggo Mortensen
by Sophie Benamon
Studio Magazine
2003




"I did some percussion, and Buckethead had this bag of masks, which we all wore while we were playing," Wood says. "It was wild."

Finding Viggo
By Alex Kuczynski
Vanity Fair magazine
January 2004




Ask Mortensen about his Buckethead connection and he'll calmly inquire "Do you know him? Have you seen him play?" Say that you have... and Mortensen's face will light up, excited that he's not the only one hip to the six-string slaughtering of Buckethead.

Viggo Mortensen & Buckethead: The man who portrayed Aragorn talks about recording with the king of horror guitar.
By Spence D.
3 March 2004




“I met [Buckethead] like seven or eight years ago when I’d made a recording of...I’d participated in a poetry recording for children and each poet or writer had to invent something about a theme, well, from Greek mythology. I did something about Poseidon and he put it to music. I listened to the music afterward, when the recording was ready and I asked, “Who’s the guitar player?” Then I called him and we began to work [together].”

Viggo Mortensen
"La Ventana" with Viggo and Carme
By - transcribed by Ollie and translated by Ollie, Rio and Zoe
Cadena SER
23 November 2011




'I like to play with music. But I would not define myself as a musician, but as a sound modulator. I love to be with musicians and play, to see what comes out from the mess that we do together.’

Viggo Mortensen
The Painter Hero
By Giulia D'Agnolo Vallan
CIAK
March 2002




One listen to The Other Parade, his rereleased 1998 album with Buckethead, ex-wife Exene Cervenka, and a host of others, reveals total artistic fearlessness (Mortensen plays a motorcycle muffler on every track). Its haunting, post-industrial abstractions make Einstürzende Neubauten sound like 'NSync -- and, if taken in the wrong mood, they may encourage a listener to beat on the disc itself. But there's absolutely no lack of energy and presence.

Holding Court with the King: Viggo Mortensen heralds the return of the renaissance man
By Gregory Weinkauf
East Bay Express
2003




You also composed music for a director who normally eschews scores in his films. How did that come about?

I was surprised that Lisandro wanted to use music in this way, as he had never done that in his first four movies. He said toward the end of the shoot that he wanted something lyrical, perhaps played on guitar, for the sequence under the stars, which is an important transition point in the story. He said he did not care if it was modern or period music, that it should not be recognizable. We did not have much of any money left in the budget for this, as we had just enough to complete the shoot and the editing, so, as one possible, free-of-charge option, I sent him some tracks I had previously composed featuring the great guitar player Buckethead.

Lisandro chose two tracks from a record called Please Tomorrow, recorded in 2004.

Mortensen plays a Danish engineer in Patagonia
By Pam Grady
San Francisco Chronicle
13 May 2015




"I think for him, to work with me, I'm obviously not, you know, a professional musician or a professional music producer or anything like that, so I don't work in a conventional way and I don't have set rules for how we are going to do each take or how long its going to be or what approach we are going to take, so I think it's probably refreshing for Buckethead to just go ahead and play. And be safe, he can be safe in making mistakes, doing whatever. I'm never going to make him do something and I would never use something he didn't like so I think its a safe atmosphere for him to be really creative."

Viggo Mortensen on working with Buckethead
CHUD magazine
By John Makarewicz
2004




Being in the studio with him and just spending a day at work, I walk out of there always feeling a little lighter, all my problems and responsibilities just feel a little less daunting somehow. It's like going for a nice walk in the woods. You just feel a little more able to deal with thing 'cause you know that you've used your time well and gotten something special out of the day. I feel that working in the studio and in particular working with him."

Viggo Mortensen & Buckethead: The man who portrayed Aragorn talks about recording with the king of horror guitar.
By Spence D.
3 March 2004




Listening to Viggo Mortensen and Buckethead's renditions of Viggo's works on This That And The Other is to be brought back to the direct immediacy of art and to be given the opportunity to experience a creation firsthand from its creator.

Review: This That And The Other
By Richard Marcus
blogcritics.org
March 20
2007




“He just inspires me and I feel like I can try different things, too or even suggest stuff… He’s great. I’m so glad that in my life I’ve gotten to know him a little and work with him. He’s one of the most original, genuine, most sincere, and most gifted individuals I’ve met in my life. He’s incredible.”

Viggo Mortensen & Buckethead: The man who portrayed Aragorn talks about recording with the king of horror guitar.
By Spence D.
3 March 2004



Quotable Viggo: 19 July 2020

Having taken a look at Viggo the Woodsman last week, this week I thought we’d revisit Captain Fantastic, a film that tells us that every dream should be taken in moderation. Although Viggo would never be a Ben Cash he was perfect for the role, with his huge array of interests and skills, and his ability to connect with all the youngsters. Filming with him must have been, well, fantastic!



© Bleecker Street.


When he appears, caked in mud, looking like a kind of eco-Rambo, splashing barefoot through a river and cutting the heart out of a deer, you’ll be thinking: Well, that’s just Viggo Mortensen’s life, isn’t it?

Wild man Viggo Mortensen lets it all hang out in Captain Fantastic
Neala Johnson
Herald Sun
8 September 2016




‘He is an extraordinary man, an extraordinary mind. He had many thoughts and notes — great insights — before shooting. And once filming, Viggo contributed an effortless simplicity and deep humanity that, I believe, elevated the film.’

Matt Ross
Cannes Festival
Eugénie Malinjod
20 May 2016




In "Captain Fantastic," he truly does seem like a hunter, in the Hemingway/James Fenimore Cooper sense. He looks like the kind of guy who, yes, would worship Noam Chomsky, but he also looks like the kind of guy who would eat him for breakfast.

The Secret Appeal of ‘Captain Fantastic’: It’s Left-Wing… and Right-Wing
By Owen Gleiberman
Variety
14 July 2016




“When I was preparing for this role, I went back to where I used to live [in northern Idaho] and spent some time there. I ended up driving to Washington from Idaho in a pickup truck filled with all kinds of things I thought might be useful. It looked like something out of The Beverly Hillbillies when I arrived.

Viggo Mortensen
Cannes Press Kit
May 2016




Mortensen says he brought “sleeping bags, a canoe, bicycles, clothing, blankets, books, pots and pans — all things that I knew these people would have”… Most of it made it into the film, including a loud patterned red shirt that the actor had squirrelled away from his 1987 wedding.

In ‘Captain Fantstic,’ Viggo Mortensen found more than a modern-day ‘Mr. Mom’
By Michael O'Sullivan
Washington Post
15 July 2016




‘I like gardening and I grow my own vegetables... I could say to Matt, “If it’s this time of year, this is how big the vegetables would be. This is what would grow in such a small clearing.” All those things you only see in passing, but it was important to him and to me that the way this family lives be completely credible.’

Viggo Mortensen goes 'extreme' in 'Captain Fantastic'
Josh Rottenberg
LA Times
30 June 2016




The Lord of the Rings star shows a full complement of skills including driving the family's bus, lighting a fire, playing guitar and rock-climbing.

"To be honest about the climbing scenes, I have a little vertigo," says Mortensen. "It gets me. I’m glad I look like I’m comfortable."

Viggo Mortensen is a marvel in 'Captain Fantastic'
Bryan Alexander
USA Today
19 May 2016




"He's the gentlest man you'll meet, especially with the kids. He's really quiet out in public, but he loved all [us] little ones to pieces. He was hanging around with us all day and telling jokes. He acted like a father figure. He's a great guy."

Nicholas Hamilton
Young Aussie actor Nicholas Hamilton stars with Viggo Mortensen at Sundance
Harry Winsor
If.com.au
15 January 2015




‘...music is when we all would get together. That was at least once a day we'd get together, all of us. We really were jamming and laughing and talking. We'd have something to eat. Okay, let's go! And then we'd start playing. The feeling there was, There's no such thing as making a mistake. We're just playing together. We got better and better and more comfortable with each other...I thought the music was important as an initial bonding thing.’

Viggo Mortensen
'Captain Fantastic': Matt Ross, Viggo Mortensen and the perils of off-the-grid fatherhood
by Michelle Lanz
The Frame
7 July 2016




“W.C. Fields said don’t work with kids or animals, I guess because they’ll upstage you or drive you crazy,” said Viggo Mortensen, with a soft chuckle. “But I’ve always enjoyed it.”

Viggo Mortensen
How Viggo Mortensen learned to be captain of 6 kids onscreen
Moira Macdonald
Seattle Times
8 July 2016




‘For Ben, you can alternate between what a great father and this guy's a maniac.’

Viggo Mortensen Goes Green: ‘I Trust Hillary About as Much as I Trust Donald Trump’
Marlo Stern
The Daily Beast
16 July 2016




"You get the sense [Ben] is watching over them kind of like a wolf parent," says Mortensen. "He is not mean to them but a lot is expected. And you are not going to be getting a lot of sugar with it."

Viggo Mortensen gets dirty to play a 'wolf dad' in Captain Fantastic
by Stephanie Bunbury
Sidney Morning Herald
2 September 2016




“Just because it’s not possible to be a perfect dad or to be Captain Fantastic, that doesn’t mean it’s not worth trying.”

In ‘Captain Fantstic,’ Viggo Mortensen found more than a modern-day ‘Mr. Mom’
By Michael O'Sullivan
Washington Post
15 July 2016




“It was an awesome family of actors. I was so happy watching this movie with all of us together.” Mortensen gestures at the cast, and at the screen that has just delivered a beautiful filmic experience. “I just love this family!”

Captain Fantastic: Viggo Mortensen & Family
by Christine Westwood
FilmInk
11 June 2016




‘[Viggo] demonstrates the aspirations of the movie, what kind of movie are you hoping to make, and for me, I can have no better faith than in Viggo Mortensen.’

Matt Ross
Captain Fantastic: Viggo Mortensen and Matt Ross Interview
Jason Gorber
Dorkshelf.com
14 July 2016

Quotable Viggo: 11 July 2020

I’m lucky that I have a nice bit of woodland near me. It’s small but somehow feels immense when I walk in it. Trees have that effect on you, and I spend a lot of time there – especially lately - just enjoying the light and the leaves, the rustle of small creatures in the undergrowth and the sound of birds. Viggo is also a man at home in the forest (or occasionally lost in it…) being a woodsman through and through. As he says below, when things are tough “it is enough to walk in the forest to immediately feel better.”



© Karen McDonald.


‘I believe that I'm a man of the hills, the woods, the angry sea, a somewhat solitary guy …’

[I]Viggo Mortensen in Algiers
For It To Rain
By Viggo Mortensen and Fabián Casas - translated by Ollie and Zoe
Sobrevueloscuervos.com
19 October 2013




He smells of woodsmoke, as though he’s just returned from some manly pursuit like chopping logs in a forest. Again, highly possible. He does have a home in the remote mountains of Idaho, surrounded by woods. In fact the scent is wafting from his cup of tea.

Viggo Mortensen is lord of all things
Chitra Ramaswamy
The Scotsman
24 May 2013




“We rented a hotel room for him, but he never stayed there. We just knew he was in the forest somewhere. That kind of commitment really shows in his work.”

Captain Fantastic Producer Lynette Howell Taylor
Viggo Mortensen
Cannes Press Kit
May 2016




“I am a happy man when I am not tied down,” he says, taking a sip of maté. “I don’t have a hidden self, I am not prone to depression. If I feel unwell, it is enough to walk in the forest to immediately feel better.”

Viggo Mortensen, Beautiful Savage
Richard Gianorio
Le Figaro
26 September 2008




Like the philosopher Thoreau, Viggo likes to lose himself in the woods, into the wild, in a trip into nature to find beauty and freedom, and to find the essence of life, as he explains with a deep, quiet voice, between long pauses and a cigarette rolled by himself.

Viggo Mortensen, The Photographer Of Dreams
By Giovanni Valerio - translated by Cindalea
norama First
July 2008




Wandering around the gallery in bare feet sporting a Lord of the Rings shirt, Mortensen describes how one series of photographs on show were a bit of a fluke. Lost 1,2,3 and 4, he jokingly calls them, were taken when he was geographically challenged in the bush on the West Coast one night. The photographs were snapped so that the flash might give him light to get his bearings.

"I eventually had to lie down under a tree for a while till the moon came over me and I could figure out where I was."

Viggo Mortensen at the Massey exhibition, NZ.
Viggo Says Thanks in Pictures
by Bess Mason
Dominion Post, 2003




‘I also like trees in their own right, to be honest, and photographing them is a way of paying them respect and remembering them.’

Skovbo Exhibition Brochure
May/June 2008




“The Danish woods look like Tolkien's, they are the kind that doesn't look dangerous, but if you walk alone by night in the forests of Denmark, you can feel the energies of the past. I felt that already as a child, back then when I played with swords there outside my uncle's farm, played and felt like a Viking.”

Viggo Mortensen
The American Dane
By Susanne Johansson - Translation by Majken Steen Thomassen
Berlingske Tidende
28 November 2001




... I went fishing for the afternoon in the lovely mountains bordering the state of Colorado, in a wonderful river, surrounded by a landscape out of a John Ford movie... I caught a couple of brown trout and a brook trout. Since I wasn´t hungry and had nowhere to keep them until dinner, I let them go. I almost always release what I catch. Tomorrow I will be tired for the shoot, because tonight I will have to drive several hours to reach the next hotel, but I´m happy. The forest, the rivers, being alone in those places, it´s like food to me.

The Past Is In Everything
By Viggo Mortensen and Fabián Casas - translated by Ollie and Zoe
Sobrevueloscuervos.com
19 August 2014




“He has a cabin that looks like it’s out of Lord Of The Rings”, says Currie. “It literally has a tree growing up in the middle of the living room. We had a lot of pizza and watched a lot of Argentinian soccer, drank a few rum and Cokes, and saw a pile of grizzly bears.”

The unlikely trio who brought Oscar contender 'Green Book' to life
Charles Gant
Screen Daily
18 January 2019




“Every tree is something special, just like people are. All different, but... I look at them as I look at people. I get along well with most trees. I don't get into arguments with them, and if I do it's probably my own fault. If I don't watch where I'm going when I'm in the forest, it comes back and smacks me in the nose, and I only have myself to blame.”

RUV Interview
Skovbo Exhibition, Iceland
Translated by Mums
30 May 2008




Even Mortensen's memories of early childhood are deeply spiritual. He tells me about the time he crawled into the woods and fell asleep. "I was sleeping under a tree, and it was very peaceful," he says. "And then a dog started barking, and that's how my parents found me."

You are always escaping, I say.

Yeah, he says. He calls his mother - on my cell phone, because he doesn't have one - to double-check his recollection. "Hi, it's Viggo. Sorry to be calling so late," he says. "Oh shit. You're in the middle of it? That's funny. Is it the tape? [She was watching a tape of The Two Towers.] O.K., sorry, it's just a quick question and then I'll let you get back to what you're doing. Remember there were a couple of times I ran away? And the time the dog came and found me in the woods? How old was I then? About one and a half. O.K. But, anyway, the dog came and found me and I was sitting under a tree? Happy? Sleeping, right?"

Big look of consternation.

"I was sitting in the middle of the woods crying? I thought I was sleeping. Are you sure?"

Finding Viggo
By Alex Kuczynski
Vanity Fair magazine
January 2004




"I can only speak for myself, but I would go crazy if I couldn't get out of the city and go out into the forest for a little while."

Viggo Mortensen talks The Two Faces Of January, singing with Fassbender and throwing a nappy at Al Pacino
by Tom Ward
GQ
16 May 2014

Goto page: 1 2 ... 5 Next

Last edited: 13 September 2020 05:42:14