When I was young and bold and strong,
Oh, right was right, and wrong was wrong!
My plume on high, my flag unfurled,
I rode away to right the world.
"Come out, you dogs, and fight!" said I,
And wept there was but once to die.
But I am old; and good and bad
Are woven in a crazy plaid.
I sit and say, "The world is so;
And he is wise who lets it go.
A battle lost, a battle won-
The difference is small, my son."
Inertia rides and riddles me;
The which is called Philosophy.
What we have found in this country, and maybe we're more aware of it now, is one problem that we've had, even in the best of times, and that is the people who are sleeping on the grates, the homeless, you might say, by choice.
There are two powers in the world; one is the sword and the other is the pen. There is a great competition and rivalry between the two. There is a third power stronger than both, that of the women.
-Muhammed Ali Jinnah
A Map of the City
I stand upon a hill and see
A luminous country under me,
Through which at two the drunk sailor must weave;
The transient's pause, the sailor's leave.
I notice, looking down the hill,
Arms braced upon a window sill;
And on the web of fire escapes
Move the potential, the grey shapes.
I hold the city here, complete;
And every shape defined by light
Is mine, or corresponds to mine,
Some flickering or some steady shine.
This map is ground of my delight.
Between the limits, night by night,
I watch a malady's advance,
I recognize my love of chance.
By the recurrent lights I see
The crowded, broken, and unfinished!
I would not have the risk diminished.
Forgetfulness is like a song
That, freed from beat and measure, wanders.
Forgetfulness is like a bird whose wings are reconciled,
Outspread and motionless, --
A bird that coasts the wind unwearyingly.
Forgetfulness is rain at night,
Or an old house in a forest, -- or a child.
Forgetfulness is white, -- white as a blasted tree,
And it may stun the sybil into prophecy,
Or bury the Gods.
I can remember much forgetfulness.
Out in the Garden
Out in the garden,
Out in the windy, swinging dark,
Under the trees and over the flower-beds,
Over the grass and under the hedge border,
Someone is sweeping, sweeping,
Some old gardener.
Out in the windy, swinging dark,
Someone is secretly putting in order,
Someone is creeping, creeping.
Dear Barack Obama,
Please end the embargo against Cuba, and thereby, aside from acting humanely, take away all possible justification for the Castro regime's oppression and censorship of the Cuban people. Set the example no other president has had the courage to. Go all the way, live and let live. Thank you in advance.
"If the market is left to sort matters out, social injustice will be heightened and suffering in the community will grow with the neglect the market fosters."
, former Prime Minister of New Zealand.
Orpheus liked the glad personal quality
Of the things beneath the sky. Of course, Eurydice was a part
Of this. Then one day, everything changed. He rends
Rocks into fissures with lament. Gullies, hummocks
Can't withstand it. The sky shudders from one horizon
To the other, almost ready to give up wholeness.
Then Apollo quietly told him: "Leave it all on earth.
Your lute, what point? Why pick at a dull pavan few care to
Follow, except a few birds of dusty feather,
Not vivid performances of the past." But why not?
All other things must change too.
The seasons are no longer what they once were,
But it is the nature of things to be seen only once,
As they happen along, bumping into other things, getting along
Somehow. That's where Orpheus made his mistake.
Of course Eurydice vanished into the shade;
She would have even if he hadn't turned around.
No use standing there like a gray stone toga as the whole wheel
Of recorded history flashes past, struck dumb, unable to
utter an intelligent
Comment on the most thought-provoking element in its train.
Only love stays on the brain, and something these people,
These other ones, call life. Singing accurately
So that the notes mount straight up out of the well of
Dim noon and rival the tiny, sparkling yellow flowers
Growing around the brink of the quarry, encapsulizes
The different weights of the things.
But it isn't enough
To just go on singing. Orpheus realized this
And didn't mind so much about his reward being in heaven
After the Bacchantes had torn him apart, driven
Half out of their minds by his music, what it was doing to them.
Some say it was for his treatment of Eurydice.
But probably the music had more to do with it, and
The way music passes, emblematic
Of life and how you cannot isolate a note of it
And say it is good or bad. You must
Wait till it's over. "The end crowns all,"
Meaning also that the "tableau"
Is wrong. For although memories, of a season, for example,
Melt into a single snapshot, one cannot guard, treasure
That stalled moment. It too is flowing, fleeting;
It is a picture of flowing, scenery, though living, mortal,
Over which an abstract action is laid out in blunt,
Harsh strokes. And to ask more than this
Is to become the tossing reeds of that slow,
Powerful stream, the trailing grasses
Playfully tugged at, but to participate in the action
No more than this. Then in the lowering gentian sky
Electric twitches are faintly apparent first, then burst forth
Into a shower of fixed, cream-colored flares. The horses
Have each seen a share of the truth, though each thinks,
"I'm a maverick. Nothing of this is happening to me,
Though I can understand the language of birds, and
The itinerary of the lights caught in the storm is
fully apparent to me.
Their jousting ends in music much
As trees move more easily in the wind after a summer storm
And is happening in lacy shadows of shore-trees, now,
day after day."
But how late to be regretting all this, even
Bearing in mind that regrets are always late, too late!
To which Orpheus, a bluish cloud with white contours,
Replies that these are of course not regrets at all,
Merely a careful, scholarly setting down of
Unquestioned facts, a record of pebbles along the way.
And no matter how all this disappeared,
Or got where it was going, it is no longer
Material for a poem. Its subject
Matters too much, and not enough, standing there helplessly
While the poem streaked by, its tail afire, a bad
Comet screaming hate and disaster, but so turned inward
That the meaning, good or other, can never
Become known. The singer thinks
Constructively, builds up his chant in progressive stages
Like a skyscraper, but at the last minute turns away.
The song is engulfed in an instant in blackness
Which must in turn flood the whole continent
With blackness, for it cannot see. The singer
Must then pass out of sight, not even relieved
Of the evil burthen of the words. Stellification
Is for the few, and comes about much later
When all record of these people and their lives
Has disappeared into libraries, onto microfilm.
A few are still interested in them. "But what about
So-and-so?" is still asked on occasion. But they lie
Frozen and out of touch until an arbitrary chorus
Speaks of a totally different incident with a similar name
In whose tale are hidden syllables
Of what happened so long before that
In some small town, one different summer.
Dear Mr. Obama,
Mr. Netanyahu does not and should not dictate US foreign policy any more than any murderous entity of any alliegance or origin ought to. Please have the courage to stop giving special treatment to Israel in the misguided interest that all US presidents since the foundation of the state of Israel have had in pampering that nation's governments in order to maintain what in effect has been an off-shore US military base in the Middle East. Otherwise, all efforts to move past the long-standing political misunderstandings in that region will be doomed to fail, and the resulting carnage and terrorist actions from all sides - including not only those of so-called "Muslim" armed groups but also those of the United States and Israeli armed forces - will continue to be the norm. Thank you in advance. Shalom.
Just Walking Around
What name do I have for you?
Certainly there is not name for you
In the sense that the stars have names
That somehow fit them. Just walking around,
An object of curiosity to some,
But you are too preoccupied
By the secret smudge in the back of your soul
To say much and wander around,
Smiling to yourself and others.
It gets to be kind of lonely
But at the same time off-putting.
Counterproductive, as you realize once again
That the longest way is the most efficient way,
The one that looped among islands, and
You always seemed to be traveling in a circle.
And now that the end is near
The segments of the trip swing open like an orange.
There is light in there and mystery and food.
Come see it.
Come not for me but it.
But if I am still there, grant that we may see each other.
If you cannot find peace within yourself, you will never find it anywhere else.
Alba de noche oscura
Sobre la luna inmóvil de un espejo,
celebra una redonda cofradía
de verdes pinos, tintos de oro viejo,
la transfiguración del rey del día.
La plata blanda, ayuna del reflejo,
muere ya. Del cristal -lámina fría-
dice la voz del vaho en agonía:
-Doró mi lengua el sol, ¿de qué me quejo?
La puertas del ocaso, ya cerradas,
tapina de luto el campo. Negros perros,
a lo que nadie sabe, ocultos, gritan.
Decapitando sueños, fatigadas,
sobre el túmulo alto de los cerros
las estrellas del valle se marchitan.
Anger makes dull men witty, but it keeps them poor.
When a man laughs at his troubles he loses a great many friends. They never forgive the loss of their prerogative.
Fame is like a river, that beareth up things light and swollen, and drowns things weighty and solid.