Quotable Viggo 2018

Print

Goto page: 1 2 3 Next


Quotable Viggo: 17 June 2018

So – I spent yesterday evening dressed as a Fairy (not the warmest of garb) and performing songs outside in a wooded garden while trying to stay upright against a stiff gale. Those fairy wings act rather like a sail! It was so cold the audience had blankets wrapped around them (I had blanket envy). So, unsurprisingly, this Quotable is about acting with (against?) the weather. And we all know who the King of the Elements is – Viggo of course. Pretty much nothing stops him (and I make no apologies for the length of one of the quotes below because it sums him up perfectly!) although I'd like to see him try some of it in fake wings and a tutu… :lol:



© New Line Productions Inc.


When the elements, the weather and the terrain get tough, Viggo gets going.

Interview with Viggo Mortensen, Oscar Contender
Emmanuellevy.com
3 September 2009




Any time I'm outdoors, whether it's in a desert or a sea or the forest. I like the elements - whatever the weather is, I don't feel that any moment is wasted at all.

Viggo Mortensen: "It's my nature to do a lot"
By covermg.com
10 July 2012




...we had this two-day, one-night wilderness survival camp, with just the six of us kids and a guide," she said. "We each were given a knife and had to figure out how to survive. We had to track down our food, purify water, build a shelter. I love being outdoors, but this was pretty extreme."

"We were building fires because in the forest it was so incredibly dark," Isler said. "All of a sudden, we heard these sounds and saw this shape coming toward us through the forest. It was Viggo, who said he wanted to bring us beef jerky and dried cherries. And we were all like, 'How in the world did you find us?' "

Tulsa teen actress Samantha Isler talks about her role in 'Captain Fantastic'
By James D Watts Jnr
Tulsa World
29 July 2016




Myself, I love the rain, especially falling asleep to its music, ideally sounding on a metal roof, and I with a book in my hands and/or an old movie on TV, but I´m actually seduced by the rain´s melody on any surface... Rain is the universal music - along with the contribution of the wind through a forest or punishing an open window, the roar of the rivers, the sea.

Viggo Mortensen
If The Rain Gets Here
By Viggo Mortensen and Fabián Casas - translated by Ollie and Zoe
Sobrevueloscuervos.com
9 October 2014




"What I've seen with Viggo is that he is able to use the environment more so than any other actor I've worked with before to put him where he needs to be emotionally… And maybe it's pouring down rain, and he'll walk away from umbrellas, raincoats. He'll walk away from any tent that's being offered or any blanket to be intentionally cold and wet, and it seems to take him to a place that's quite remarkable. I've seen it happen over and over again in the snow, the rain, cold, the fog – anything that he is able to use that puts him in the world of the character."

Simmons (producer)
Interview with Viggo Mortensen, Oscar Contender
Emmanuellevy.com
3 September 2009




How was it to jump in the ocean [in The Road]?


It was very cold. I asked for another take, but they were terrified. They didn't want me to. They had ambulances. The water was 41 degrees Fahrenheit, and the wind was just really blowing. The air temperature was the same, but because there was howling wind, I was practically frozen. I think the air was probably freezing. It was so extreme. They had an ambulance and they had all these heaters on, and I just sat in there with a bathrobe and said, "Just tell me when you're rolling. I'm just going to run out and go."

Interview: Viggo Mortensen Travels THE ROAD
Christina Radish
IESB.net
9 November 2009




'It was a good decision to shoot [Todos Tenemos Un Plan] in the winter because it gave character to the movie. But it put us under more pressure, too, because there were fewer hours of daylight. It was cold, and the weather was quite changeable. But it was beautiful.'

Viggo Mortensen
Viggo Mortensen's grand plan
Telegraph Men's Style Magazine
By Sheryl Garratt
26 March 2013




On the horizon, nothing. Or nothing much. A land flat and dry, hardly covered by a thin layer of vegetation where only snakes and cacti with sharp needles survive. On this April evening on Friday 12 to Saturday 13 the gusts of wind shake the tents and knock down the lamps that illuminate the first kilometres of the Argentine pampa with a white light. Clouds of smoke surround the twenty or so people who fight against the elements. Some are jumping up and down or wrapping themselves in blankets, others are drinking one maté after the other. Gathered around the fire, all of them are trying to hold on, drinking heartily from the whiskey bottles going round. This looks like a war, but it´s a film. After almost nine hours, the film crew are shivering with cold and doing one take after the other, while director Lisandro Alonso, hair in the wind and a thin parka covering his shoulders, runs from one place to the other. A hailstorm swoops down without warning. "That´s what the end of the world must look like," says Fabián Casas, writer and scriptwriter of the film, in a faint voice, sheltered at the back of a tent, wrapped in a woollen shawl. Then, out of nowhere, a man in pyjama bottoms and white open shirt emerges barefoot. Viggo Mortensen walks in the middle of the night, asks for "a cigarette" in French, bending down to light it from the embers. Waiting to enter the scene, he sways in the wind. "Viggo, be careful, you are going to hurt yourself; there´s cacti everywhere," Nicolás, the assistant director, tries to warn him. The actor hears but doesn´t listen. "Action." Mortensen runs, passing before the camera, rummages inside a tent, shouts in the night "Ingeborg! Ingeborg!," retraces his steps and goes off camera. Hands on his knees, he pants, regains his breath and suddenly he starts laughing loudly. On the set, eyes meet asking themselves what is it? Who is this guy?

Lost in La Pampa [Jauja]
By Pierre Boisson - translated by Ollie
So Film #10 (France)
May 2013




I remember one time when we were trying to shoot [Hidalgo] in the Sahara, where you get these atrocious winds; it was hot, there was sand in the cameras. I heard everywhere: 'this is hell!' and, deep down in my heart, I thought 'this is a giggle compared to Lord...'."

Viggo Mortensen
A Year in the Life of Viggo Mortensen
by Sophie Benamon
Studio Magazine
2003




Mortensen's humility and generosity turned his Rings co-stars into some of his biggest fans. They tell you of the time when a snowstorm shut down production. The cast was being transported to safety when Mortensen seized a four-wheel drive vehicle and drove back to the set in order to save the hobbits' four-feet-tall scale doubles from getting snowbound.

The Hero Returns
By Tom Roston
Premiere
January 2003




'In October, I got caught in a snowstorm in Lapland. I lost the trail and had to find some place to hide. I was out there on my own for a couple of days. I was worried but managed to find shelter and make a fire. It's really not about where you are, but how you are. I can get annoyed or say, "OK, this is where I am. I don't have any choice at the moment. Let's make the most of it."'

Viggo Mortensen's Travelling Life
By Nick McGrath
The Telegraph
10 April 2015




"Even if it rains, even in bad weather, even if I'm on top of the most uncomfortable rock in the world. I feel happy in that setting."

Viggo Mortensen - Passage To Hell
By Ruben Romero - translated by Ollie, Rio and Zooey
On Madrid - El Pais
5 February 2010




"When we needed more wind, and after a long dead calm, Viggo sniffed and said: "This afternoon it's going to rain.' And so it was.'

Agustín Díaz Yanes
Reunion with Alatriste in Uclés
Diario de León, by Miguel Ángel Nepomuceno - translated by Paddy
26 June 2005

Quotable Viggo: 10 June 2018

This week's Quotable is short and sweet – in fact very short and sweet as they are all one-liners. Lots of old favourites but, hey, they sum him up so well so let's enjoy them again!



© GQ.


They don't make them like Viggo Mortensen anymore.

A Reader interview with Viggo Mortensen
By Ben Olson
Sandpoint Reader
13 January 2017




…the very definition of a 21st century Renaissance Man.

Validation for Viggo
Filmstew
Richard Horgan
22 January 2008




The man has never disappointed us.

Viggo Mortensen in the Shoes of Dr. Freud
By Nicolas Crousse
Le Soir – translated by Dom
4 September 2011




Viggo Mortensen, who seems only loosely tied to modern life at the best of times...

Helen O'Hara
Empire Magazine
18 August 2016




Is Viggo Mortensen the most interesting man in the world?

Viggo Mortensen: Still here, still fantastic
The Film Experience
By Nathaniel Rogers
24 April 2016




Is there a language Viggo Mortensen doesn't speak?

Jill Lawless
Associated Press
2 September 2014




He's like a one-man United Nations.

The 100 Sexiest Movie Stars
Empire Magazine
October 2013




…he… can fill a digital recorder with wall-to-wall perspective.

Kris Tapley
In Contention
10 September 2009




Viggo Mortensen is an extraordinarily beautiful man.

Viggo Mortensen: "It's my nature to do a lot"
By covermg.com
10 July 2012




Jean-Jacques Rousseau trapped in the body of Rudolph Valentino.

Viggo Mortenson is complicated
By Micjelle Devereaux
San Francisco Bay Guardian
12 September 2007




[He] wears a San Lorenzo shirt like it's tattooed on his skin.

"I feel honored to be able to give a hand to poets"
By - translated by Zooey and Sage
Pagina 12
14 August 2009




…he stashes chocolate on his person like a marsupial…

A History of Defiance
Daniel Mirth
Men's Journal
October 2009




..constitutionally incapable of creative blockage.

True Colors
By Margot Dougherty
Los Angeles Magazine
1998




His star power actually helped keep the electricity in the building running.

Nick Flanagan
Live-ish from the Genie Awards
9 March 2012




'I would want to watch Viggo Mortensen in any language.

Sanford Panitch, President of Fox International
Fox International Acquires Worldwide Rights To Viggo Mortensen-Starrer 'Everybody Has A Plan'
By Mike Fleming
Deadline.com
5 May 2011




Viggo Mortensen is not about the words. He's about being... present. .......

Ray Pride
Movie City News
4 March 2004




…there is enigmatic and then there is Viggo Mortensen…

On Viggo Mortensen
By Ryan Gilbey
Filminfocus.com
4 December 2007




…arguably the most unconventional, maverick A-list actor around.

Five Things We Learned In Toronto From The 'A Dangerous Method' Star
Oliver Lyttelton
The Playlist
14 September 2011




He never had Champagne dreams and caviar wishes…

Viggo Talks and Talks
By Zoe Heller
T Magazine
2 December 2011




If fame came with a report card, Viggo's would say can do better.

The Man Who Would Be King
By Nick Dent
December 2001
Black & White magazine, #58




'…there are some silly-genes in our family, that he benefits from.'

Aunt Tulle on Viggo
Avisen.dk interview
15 October 2008




"Doesn't everybody want to be Viggo Mortensen? I do!"

Matt Ross
Captain Fantastic: Viggo Mortensen & Family
by Christine Westwood
FilmInk
11 June 2016

Quotable Viggo: 3 June 2018

When Kyle Lee of Box Office Prophets called Juaja 'one of the great westerns ever made, and possibly the most unusual' I realised I'd never thought of the film as a western, but all the elements of some of cinema's most iconic westerns are there – the wide open spaces in which people are almost lost, the taking of land from native peoples, the lurking threat of hidden violence, the search for someone missing in a hostile environment, the trying to hold on to the familiar when transplanted into another world. But Jauja is also so much more – a Quixotic journey through an environment where dreams and reality flow into each other and become something strange and wonderful. I think it's time to put the Bluray back in the player and see this magical and mysterious film again...



© 4L Productions.


I've now seen Lisandro Alonso's captivating, unearthly Jauja four times, and I don't think I'm any closer to telling you what it's all about; the more I see it, the more puzzled I am. Alonso likes to traffic in the oblique — in the blank, mysterious spaces between the ostensible realities onscreen. That sounds like a lot of hooey, but watching Jauja, which is certainly one of the best films of the year, I never once doubted that I was in the hands of a master filmmaker.

Bilge Ebiri
Vulture
21 March 2015




The faint echo of The Searchers' plot should already make it clear that this is a deconstructed western (the relationship between man and his surroundings is where Alonso and Ford's westerns overlap). But it's one that, slightly reminiscent of Miguel Gomes' Tabu a couple of years before it, seems in dialogue with silent cinema, with its Academy (4:3 aspect ratio) format and rounded corners, as well as Viggo Mortensen's brilliant but largely wordless performance...

CineScope Blog
21 December 2014




Mustachioed, astride his horse in a cavalry uniform, sword in sheath and a splendid hat on his head, he is reminiscent of John Wayne in the early John Ford films.

Franck Nouchi - translated by Ollie and Zoe
Le Monde
19 May 2014




[Dinesen's] off the map even before he's robbed of his horse and most of his possessions; from the start he's destined to be lost in and swallowed up by nature, red in tooth and claw and utterly disinterested in the plight of insignificant humans... Like all of us, he's a rationalist who expects the world to work a certain way, and is helpless when it does not...

Matt Prigge
Metro (US)
20 March 2015




'Sometimes it was quite awkward and tiring to tramp around in that heavy greatcoat, wearing those slippery-soled riding boots, tripping over that saber. But I found that all of that helped me construct a sort of Danish Don Quixote, a man who has no idea how clumsy he seems in those landscapes, once he is off his horse.'

Mortensen plays a Danish engineer in Patagonia
by Pam Grady
San Francisco Chronicle
14 May 2015




'Dinesen is a surveyor and scientist, very northern European, very rational, everything has to have a logical explanation… And in that way my character is very determined – like if you are going to do a job, you might as well do it correctly, and in a timely fashion. And if someone says, 'Well, we're having tea at 4.30pm on Tuesday', you say, 'Well, I'll be there'. But it's Argentina, so whoever you were going to meet might turn up on Wednesday, or maybe he doesn't.'

Viggo Mortensen
Jauja: Interview with Viggo Mortensen
by Pamela Jahn
Electric Sheep
16 October 2014




"I find him an admirable character in a way," says the 56-year-old actor. "He's so obtuse, even when he doesn't know where he's going or why he's going or who he is, he still keeps moving forward. It's his stubbornness which I find both pathetic and endearing and, as I say, admirable."

Interview: Viggo Mortensen
Tobias Grey
The Financial Times
27 March 2015




As [Dinesen] progresses through this limbo-like landscape we watch him gradually transforming, Mortenson's weathered features becoming akin to the rocks surrounding him. As he emerges from within dark cracks, kneels to sip dripping streams or dozes underneath the stars, he melts into the environment, the boundaries of Dineson's self slowly eroding into the Patagonian dirt.

David James
wegotthiscovered.com
6 April 2015




The film is framed in a 4:3 aspect ratio and, most strikingly, sports rounded corners on its images. That relatively constricted vision (somehow the rounded corners highlight how quickly the world slips out of view as the camera pans) is offset by the incredible depth that Alonso and masterful cinematographer Timo Salminen produce in their shots. In the open desert, fading gradually from sharp clarity in the foreground to the soft blur of the horizon, the images seem to connote infinity...

Tomas Hachard
NPR
19 March 2015




...the landscapes remind us that 'Scope is not indispensable for evoking vastness: the tight parameters of these frames encourage us to imagine an infinity outside their edges. Rich colors suggest both dream and the artifice of Hollywood Westerns: deep blue clouds on a sky fading to yellow at its base resemble a painted backdrop; pools of golden firelight in a night shot are manifestly lit, as if on a studio set.

Jonathan Romney
Film Comment
19 March 2015




Sweating in layers of bulky long johns, and sporting a droopy, weeping mustache, Mortensen carries the film, his human grumbling and surprised, rageful violence conveying the sense of a nervous, basically average man caught on a journey into his own heart of darkness. Increasingly, as the other characters drop away, Mortensen has nothing to play against but nature and himself.

Mark Asch
Brooklyn Magazine
7 October 2014




'Dinesen is a man who seems to cope well with loneliness, but finally he becomes lost in it. He goes out in the desert trying to find his daughter, but in the end we realize that he is also tracking down his wife, his mother, all women and men in the world, his own childhood, his country and his death'

Viggo Mortensen
An Anarchist in the Closet
By Viggo Mortensen - translated by Chrissie and Ollie
Pagina 12
27 October 201
3



We're as lost as Mortensen's protagonist, and we feel the weight of it acutely. The semi-flat steppes all look the same in every direction, and the minutes tick by, until eventually night falls and we lose our bearings completely.

Michael Atkinson
In These Times
18 March 2015




"There's a lot of entering and coming out of dreams, a lot of transitions in the movie… By the end of the story, you don't know if we're being dreamed, or if the characters are all dreamed, or if it's a dog's dream or the girl's dream. In a way, it doesn't matter. It's what it stimulates."

Interview with Actor Viggo Mortensen
Nick Chen
London Calling
7 April 2015




What kind of western ever gets us to ask these kinds of questions? One of the greatest, that's what kind. A true Hidden Gem.

Hidden Gems: Jauja
Kyle Lee
Box Office Prophets
31 May 2018

Quotable Viggo: 19 May 2018

Sticking with Purgatorio and Ariel Dorfman after his comment that Viggo spotted an anomaly in the script, I thought it would be good to take a look back at the play. Unbelievably, it's been 7 years since Viggo took his courage in both hands and trod the boards at the Matadero Naves del Español in Madrid. As you can see from the the quotes below, it was a very challenging text…



Image Andrés de Gabriel.
© Teatro Español.



What brought you to theatre? "Fear. I've done theatre because it frightens me. I'm attracted to everything that frightens me."

Viggo Mortensen: "I'm attracted to what scares me"
By Roció García - translated by Ollie, Rio and Zoe
El País
24 November 2011




"…when I met [Dorfman] in person, since he's Chilean, we were talking in Spanish and I asked him, out of curiosity, if there was a version in Spanish, and he said, "Well, yes, I have a version. A translation, and furthermore it would be interesting if you'd be interested in doing it, since you're bilingual, if you'd do it, Viggo, in Spanish first and we'll see what happens after that."

"La Ventana" with Viggo and Carme
By - transcribed by Ollie and translated by Ollie, Rio and Zoe
Cadena SER
23 November 2011




Ariel says, more or less in jest, that it's a cursed play, that every time he tries to put it on in a, shall we say, legitimate theater, it doesn't work. Someone gets sick, something happens, somebody leaves, and there's been a long journey for us, too, before arriving here."

"La Ventana" with Viggo and Carme
By - transcribed by Ollie and translated by Ollie, Rio and Zoe
Cadena SER
23 November 2011




'Sometimes, during rehearsals, I have thought that I've been an idiot to get into this theatrical challenge…'

Viggo Mortensen
By Liz Perales - translated by Ollie, Rio and Zoe
El Cultural
31 October 2011




"…this script is complicated because it's not how people speak. I think that it's just as complicated to seem natural, conversational in a script by Lope de Vega, by Shakespeare. It's complicated!"

"La Ventana" with Viggo and Carme
By - transcribed by Ollie and translated by Ollie, Rio and Zoe
Cadena SER
23 November 2011




'Ariel Dorfman´s script is demanding, but it´s full of little gifts that keep coming to you to the extent that you are deciphering the text and physically absorbing it.'

Viggo Mortensen: "Sometimes I have thought that I´ve been an idiot to get into this theatrical challenge"
By Liz Perales - translated by Ollie, Rio and Zoe
El Cultural
31 October 2011




"I learned more about acting and thinking on your feet in that play than in my last ten or fifteen years in filming," he says, seriously. "There's no saying cut, you just figure it out; it's like an hour and forty minutes long take. I really loved it, loved the connection with the audience."

Viggo's round-table at the Freud Museum
by Lucy Wiles
Felix Films
10 February 2012




"It's just two characters, and it's an hour and 45 minutes," he said, with no intermission. "Any mistake you make is live, and it can go off the rails," he said. "Also, in the script, there's a lot of repetition and a lot of strange things about time."

Viggo Mortensen interview
By Chris Brock
Watertown Daily Times
20 November 2011




"I find peace in Viggo´s eyes. Confronted with the giddiness of the text, you can take risks with him, walk the tightrope."

Carme Elías
Viggo Mortensen And Forgiveness
By Ulises Fuente - translated by Ollie and Rio
La Razón
1 November 2011




I put the script here, although I already know the text. I always have the script backstage. I have this owl with the bracelet in San Lorenzo colors; I touch the two eyes of the owl every night before I go on. I have a photo of San Lorenzo's first championship team in 1923, Father Lorenzo Massa, the Silesian who founded San Lorenzo, I have chocolate. I'm always eating...

Viggo Mortensen
Inside The Dressing Room
By - transcribed by Ollie and translated by Ollie, Rio and Zoe
El Mundo
15 December 2011




'I don't think there's so much difference between good acting in film and good acting in theatre. In general, depending on the size of the hall, it's true that in theatre you have to take into account adequate voice projection, but, ultimately, what matters is whether the spectator believes what the actor is doing or not.'

Viggo Mortensen: "Sometimes I have thought that I´ve been an idiot to get into this theatrical challenge"
By Liz Perales - translated by Ollie, Rio and Zoe
El Cultural
31 October 2011




"You have to be honest about weakness and feelings of guilt. The good thing about any creative work, movie, story or poem, is that it asks you questions without asking you to think one way or another, and this play asks whether it is possible to forgive unconditionally, whether there are things that are so hurtful that they cannot be forgiven, and the answer I personally provide is that real forgiveness cannot set any conditions, be they what they may."

Viggo and Carme explore forgiveness
By Rosana Torres
El Pais
4 November 2011

Quotable Viggo: 13 May 2018

I loved Ariel Dorfman's comment this week about Viggo querying his text in Purgatorio. It's so very Viggo isn't it? That depth of knowledge, his constant attention to detail, his desire to ensure that whatever he appears in is the best it can possibly be. Once he's committed he is a power house of information and ideas, from badgering Cronenberg about Freud's cigars to persuading Perez-Reverte that Alatriste came from Leon. It's a dedication that has been greatly admired and drawn on by fellow creatives over the years.



© Hanway/Lago.


During a production of his play Purgatorio, Dorfman was challenged by the actor Viggo Mortensen, who was insistent about a line of dialogue: "This doesn't make sense!" he kept repeating. "He wouldn't let me go," Dorfman says. And Mortensen was right. The actor was able to teach Dorfman something about his own play. "You learn, if there's no aggression in an artist exchange." If an actor or editor is generous and open, the writer can gain something.

Ariel Dorfman: 'Not to belong anywhere, to be displaced, is not a bad thing for a writer'
By Andrew Madigan
The Guardian
9 May 2018




'We really trust each other's sensibility. I did talk to a director once who said, "You know this guy Viggo you worked with? I sent a script to him, and he sent me notes!" I said, "Yeah? Well, were they good notes?" He looked at me like I was crazy.'

David Cronenberg
'Dangerous Method' helmer talks working with Pattinson, Giamatti on 'Cosmopolis'
By Christy Grosz
Variety
13 December 2011




"Viggo was a central collaborator in terms of his ideas about the script. He had wonderful and insightful ideas about everything, including adding his own original music to the film. For me, he exemplifies a very high level of artistry and integrity. That is one of the things that made him my first choice to play Ben, Physically and temperamentally, he was absolutely right."

Director Matt Ross
Cannes Press Kit
May 2016




'He comes to the role with such fierce dedication and so many ideas. We invited him into the editing room later in the process and he had a very complete memory of what he had done and what had been shot and asked us very challenging questions about why we had chosen one approach over the other. He was a very good extra eye in the editing room and I was glad we were able to spend some time with him there.'

Interview with Joseph Krings, Editor of "Captain Fantastic"
Manhatten Edit Workshop blog
20 July 2016




'He thinks 24 hours a day about the film; he is insatiable when thinking ideas, dialogues, suggestions for enhancing the images, the work of the group in general, and with the other professional and nonprofessional actors who acted with him in different scenes from the movie. I was very lucky that he liked the story.'

Lisandro Alonso
Nueva voz: Lisandro Alonso y el cine de los hombres solos
El Deber
28 December 2013




'…this is a thing I knew about Viggo -- once he commits, he's committed. He's incredibly loyal to the project, to the character, to the movie. Once he committed there was never any going back; it was full on, "Let's do research of the Viggo kind" -- which is very deep, to say the least. He'd send 25 emails of Freud's cigars, you know, with pictures going back and forth: "What kind were they?" "How many did he smoke a day?" "What shape were they?" "What strength?" "Would he have ever varied the kind during the course of the day, or did he always smoke the same kind?" "Could he afford them?" "Were they expensive?" You know, it went on and on and on.'

David Cronenberg Discusses His Dangerous Method
by Luke Goodsell
Rotten Tomatoes
23 November 2011




"You would think, 'Of course Cronenberg was drawn in by the tattooing,' but it was almost not there," says the director. "In the original script, tattooing was just alluded to. Viggo discovered a set of books called Russian Criminal Tattoo and a doc called Mark of Cain, which was about the tattooing subculture in Russian prisons, and when I saw them my mind was blown completely."

Ties that bind
by Melora Koepke, Hour CA
13 Sept 2007




"Viggo's one-man research engine helped mould David's thinking about the script, and fed into the script in a great way. It informed our whole process."

Paul Webster
Eastern Promises Production Notes
20 August 2007
Source: Focus Features




'He called me once to talk about certain aspects of his character and history, such as Alatriste's birthplace. I had never detailed it in any of the five novels published up until now, but Viggo was interested in the fact. 'In Old Castile,' I responded. 'Could it be Leon?' he asked after thinking about it for a while. 'It could,' I responded. So then he went to Leon and walked about covering it inch by inch, remaining in each town, in every bar, talking with whoever happened to be in front of him. In effect, he finally concluded that Alatriste was Leonese. And he said it with such conviction that even I didn't question or argue the point.'

Arturo Pérez Reverte: Alatriste
El Semanal, July 2005-08-04
Translated by Elessars Quee
n



'I went to the Prado Museum, which I had visited many times, but now I saw the paintings in a different light, searching for the character, so I'd call Tano (the director) at 2 am and tell him, "listen, I found this painting by Góngora". Viggo makes a face and changes his voice to imitate Díaz Yanes: 'Okay, let me explain it to you. You're an idiot.' But nothing. I saw the characters in those painting."'

Viggo Mortensen: Alatriste
The Lord of Simplicity
By Ernesto Garratt Vines - translated by Margarita
Wikén - El Mercurio
30 March 2007




'I worked with him 12 years ago on horses, we rode together down by the Mexico border in Arizona while working on Young Guns 2. He played a small role [in which] he rides along with Billy Peterson, who played Pat Garret. He plays John W. Poe, a historical bounty hunter who pursued Billy the Kid. We had all these young actors playing historical figures and I had all this research available. But it was Viggo who had this tiny little role, who just kept coming to me and saying [things like], 'You know, I was doing some research and copper was really big at that time and they were making copper rifle scopes. I think that Poe would've made his own scope, you know, as a bounty hunter to personalize his tool of the trade.' Then he would come back and say, 'What was Poe's relationship with John Chisum? Did he have any cattle interests...?' So when I heard that he was interested in the role [of Hopkins] I anticipated that kind of commitment to research and sure enough, days after he was cast he called me and said, 'Who do you know on Pine Ridge reservation and can I go there?' Within a week he was out with these Lakota horsemen and riding with them, and on a long ride to Wounded Knee."'

John Fusco
IGN gets the behind-the-action goods from the director, writer and star of Hidalgo.
By Jeff Otto, IGN
March 04, 2004




When Mr. Jackson telephoned Mr. Mortensen, whose work he admired, the conversation did not seem to go well.

"Knowing Viggo now, his conversation was incredibly Viggo-like, but at the time it was incredibly off-putting," Mr. Jackson said. "He was asking about the character: how long has he lived with the elves? Where are his parents? If I didn't know the answer, I'd make it up. There would be this terrible long silence, and I didn't know if the phone had disconnected or not, and then he'd ask another question and there would be 30 more seconds of silence."

"At the very end of the call, I thought it had gone very badly, that he wasn't going to do the role," Mr. Jackson continued. "I was thinking, `What are we going to do now?' as I was waiting for the call to end, and then there was another long silence and Viggo said, `I guess I'll see you on Tuesday.' "

Peter Jackson on offering him the part of Aragorn
The Man Who Would Just As Soon Not Be King
By Sarah Lyall
New York Times
2003




"Viggo commits himself to a project with the same intensity as the filmmakers - which is rare for an actor," the director says. "After the end of a long day's shooting, when all the other cast would be either in bed or in the bar, Fran Walsh and I would be home grappling with the script for the next week's shooting. At midnight, a nine-page handwritten memo would come rattling through the fax from Viggo, outlining his thoughts about that day's work and the next few days to come. He would suggest passages from the book we should look at. This wasn't an exception - over 15 months it became the rule. In the small hours, it was actually comforting to know there was somebody else out there grappling with the same nightmare that we were."

Peter Jackson
The Hero Returns
By Tom Roston
Premiere 2003




'He is absolutely dedicated to the process,' says Ridley Scott. 'He was constantly revisiting me with questions and notes and suggestions, none of which I ever got tired of.'

Ridley Scott on GI Jane
Viggo Mortensen
by Steve Pond
US Magazine #236, 1997




"…with Viggo you don't just get a violin, you get a whole symphony orchestra."

David Cronenberg
RT talks Eastern Promises
By Sara Schieron, Rotten Tomatoes
12 September 2007


Quotable Viggo: 6 May 2018

This week we are going to have a feast of philosophy. Things to ponder and live your life by from a man who really knows how to ponder and lives his life really well…



Image Emily Berl.
© Getty Images.



"…I think that having the courage to be oneself is the most difficult thing in the world. The most essential and also the most magnificent."

Viggo Mortensen
Viggo Mortensen, Charming Free-spirit
by Manon Chevalier
ELLE Quebec
Translated for V-W by Chrissiejane
December 2008




"We may not know why we're here, or where we're going after we die, but if you're here, you might as well be here. And being here means paying attention, I think."

Q&A with Viggo Mortensen
Sara Stewart
New York Post
December 2008




'Don't ever be afraid to ask the question, "why?", or as most small children do, to repeat that question as many times as you receive an unsatisfactory answer. Inquiring minds are essential to a healthy society, and to making an individual art out of living.'

Viggo Mortensen
SLU Commencement Address
May 21, 2006




What keeps you awake at night?

Yesterday and tomorrow, but I eventually fall asleep because neither exists.

Q&A: Viggo Mortensen
by Rosanna Greenstreet
The Guardian
2 January 2010




He understands why, in dire times, you'd be tempted to "set your house on fire and never answer the phone again, but it would be better to ask yourself: How can I be most useful to this world? Not that I'm some f****** genius."

Viggo Mortensen (free radical)
Twenty one reasons to dig Viggo Mortensen
by Allison Glock
GQ Magazine 2003




"I think five minutes can be an eternity if it's well used, you know. There are periods of time that are gems, but you don't have to go into a blizzard in South Dakota or into the rain forests of New Zealand or the middle of the Sahara. You can find that just walking down the street."

Viggo Mortensen
The Rebel King
By Chris Heath
GQ magazine, 2004




"One of the best pieces of advice I ever got was from a horse master. He told me to go slow to go fast. I think that applies to everything in life. We live as though there aren't enough hours in the day but if we do each thing calmly and carefully we will get it done quicker and with much less stress."

Viggo Mortensen is lord of all things
Chitra Ramaswamy
The Scotsman
24 May 2013




'When I'm awake, I dream of perfection. It's not about reaching it, I'm aware that it is not possible. My concern is to seek it, to try very hard to shoot the perfect movie, to have the perfect marriage, to paint the perfect painting – above all to know that it will never work out. What counts is the will, not the achievement of the goal.'

Viggo Mortensen
I Have A Dream
By Viggo Mortensen - translated by CoCo and Techadmin
Zeit magazine
23 July 2015




"For a long time now, I've been certain of one thing: there are more things that connect me to others than there are things that divide us. We should be able to all understand each other. I've proved it."

I wouldn't look the Alatristes of today in the eye
By Oskar L. Belategui, translated for V-W bu Margarita
Hoy Sociedad
3 September 2006




"Even though many people seem to be not interested in art or in things like nature or life itself, we must force ourselves to remember, we must force ourselves to be deep in life."

Viggo Mortensen, The Photographer Of Dreams
By Giovanni Valerio - translated by Cindalea
Panorama First
July 2008




'Mother Nature is the first school. She makes you wise if you watch her. '

Viggo Mortensen
A Multi-talented Hero
Dominical, by J. A. - translated for V-W by NacidaLibre
27 August 2006




'I feel at home in many places, and with time, I learned that in life it is more important who you are, what you do and how you feel than where you are.'

Viggo Mortensen Under The Spotlight
Selecciones Magazine
March 2009
Translated for V-W by Graciela




It's the endlessly entertaining, often ridiculous, sometimes admirable, sometimes embarrassing attempts that some people make to find some meaning in their lives that make life worth living.

What I've learned – Viggo Mortensen
By Kal Fussman
Esquire
22 April 2015




"I think it was Robert Louis Stevenson who said this, it was about meandering through a career, or the arts in general, without seeming to have a deliberate plan. He said, 'To travel hopefully is better than to arrive, and the true success is in the labor.' That's a great line, 'To travel hopefully.' That's what I'd like to do."

Viggo Mortensen
The Other Side of Viggo Mortensen
By Paul Young
Variety Life, 2003




What do you believe in above all else?

"In everything. I believe in everything! However, it makes my life so complicated" (laughs)

Viggo Mortensen
Viggo Mortensen, Charming Free-spirit
by Manon Chevalier
Elle Quebec
Translated for V-W by Chrissiejane
December 2008


Goto page: 1 2 3 Next

Last edited: 17 June 2018 05:30:44