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Iolanthe's Quotable Viggo

19 May 2018 11:57:47
Found By: Iolanthe
Categories: Media Purgatorio Quotable Viggo

Sticking with Purgatorio and Ariel Dorfman after his comment that Viggo spotted an anomaly in the script, I thought it would be good to take a look back at the play. Unbelievably, it's been 7 years since Viggo took his courage in both hands and trod the boards at the Matadero Naves del Español in Madrid. As you can see from the the quotes below, it was a very challenging text…




What brought you to theatre? "Fear. I've done theatre because it frightens me. I'm attracted to everything that frightens me."

Viggo Mortensen: "I'm attracted to what scares me"
By Roció García - translated by Ollie, Rio and Zoe
El País
24 November 2011




"…when I met [Dorfman] in person, since he's Chilean, we were talking in Spanish and I asked him, out of curiosity, if there was a version in Spanish, and he said, "Well, yes, I have a version. A translation, and furthermore it would be interesting if you'd be interested in doing it, since you're bilingual, if you'd do it, Viggo, in Spanish first and we'll see what happens after that."

"La Ventana" with Viggo and Carme
By - transcribed by Ollie and translated by Ollie, Rio and Zoe
Cadena SER
23 November 2011




Ariel says, more or less in jest, that it's a cursed play, that every time he tries to put it on in a, shall we say, legitimate theater, it doesn't work. Someone gets sick, something happens, somebody leaves, and there's been a long journey for us, too, before arriving here."

"La Ventana" with Viggo and Carme
By - transcribed by Ollie and translated by Ollie, Rio and Zoe
Cadena SER
23 November 2011




'Sometimes, during rehearsals, I have thought that I've been an idiot to get into this theatrical challenge…'

Viggo Mortensen
By Liz Perales - translated by Ollie, Rio and Zoe
El Cultural
31 October 2011




"…this script is complicated because it's not how people speak. I think that it's just as complicated to seem natural, conversational in a script by Lope de Vega, by Shakespeare. It's complicated!"

"La Ventana" with Viggo and Carme
By - transcribed by Ollie and translated by Ollie, Rio and Zoe
Cadena SER
23 November 2011




'Ariel Dorfman´s script is demanding, but it´s full of little gifts that keep coming to you to the extent that you are deciphering the text and physically absorbing it.'

Viggo Mortensen: "Sometimes I have thought that I´ve been an idiot to get into this theatrical challenge"
By Liz Perales - translated by Ollie, Rio and Zoe
El Cultural
31 October 2011




"I learned more about acting and thinking on your feet in that play than in my last ten or fifteen years in filming," he says, seriously. "There's no saying cut, you just figure it out; it's like an hour and forty minutes long take. I really loved it, loved the connection with the audience."

Viggo's round-table at the Freud Museum
by Lucy Wiles
Felix Films
10 February 2012




"It's just two characters, and it's an hour and 45 minutes," he said, with no intermission. "Any mistake you make is live, and it can go off the rails," he said. "Also, in the script, there's a lot of repetition and a lot of strange things about time."

Viggo Mortensen interview
By Chris Brock
Watertown Daily Times
20 November 2011




"I find peace in Viggo´s eyes. Confronted with the giddiness of the text, you can take risks with him, walk the tightrope."

Carme Elías
Viggo Mortensen And Forgiveness
By Ulises Fuente - translated by Ollie and Rio
La Razón
1 November 2011




I put the script here, although I already know the text. I always have the script backstage. I have this owl with the bracelet in San Lorenzo colors; I touch the two eyes of the owl every night before I go on. I have a photo of San Lorenzo's first championship team in 1923, Father Lorenzo Massa, the Silesian who founded San Lorenzo, I have chocolate. I'm always eating...

Viggo Mortensen
Inside The Dressing Room
By - transcribed by Ollie and translated by Ollie, Rio and Zoe
El Mundo
15 December 2011




'I don't think there's so much difference between good acting in film and good acting in theatre. In general, depending on the size of the hall, it's true that in theatre you have to take into account adequate voice projection, but, ultimately, what matters is whether the spectator believes what the actor is doing or not.'

Viggo Mortensen: "Sometimes I have thought that I´ve been an idiot to get into this theatrical challenge"
By Liz Perales - translated by Ollie, Rio and Zoe
El Cultural
31 October 2011




"You have to be honest about weakness and feelings of guilt. The good thing about any creative work, movie, story or poem, is that it asks you questions without asking you to think one way or another, and this play asks whether it is possible to forgive unconditionally, whether there are things that are so hurtful that they cannot be forgiven, and the answer I personally provide is that real forgiveness cannot set any conditions, be they what they may."

Viggo and Carme explore forgiveness
By Rosana Torres
El Pais
4 November 2011



You will find all previous Quotables here.

© Viggo-Works/Iolanthe. Images © Andrés de Gabriel/Teatro Español.


Source: http://www.viggo-works.com/?page=243